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1 ABBOTT, John S.C. History of the Civil War in America; Comprising a Full and Impartial Account of the Origin and Progress of the Rebellion, Naval and Military Engagements, of the Heroic Deeds Performed by Armies and Individuals. And of Touching Scenes in the Field
Gurdon Bill & Company / H.C. Johnson / Charles Bill, Springfield, Mass./ Cincinnati / Chicago, 1867, 
ABBOTT, John S.C. The History of the Civil War in America; Comprising a Full and Impartial Account of the Origin and Progress of the Rebellion, Naval and Military Engagements, of the Heroic Deeds Performed by Armies and Individuals. And of Touching Scenes in the Field, the Camp, the Hospital, and the Cabin. Illustrated with Maps, Diagrams, and numerous Steel Engravings of Battle Scenes, from Original Designs by Darley, and Other Eminent Artists, and Portraits of Distinguished Men. Sold Only by Distributing Agents. Springfield, Mass.: Gurdon Bill & Company / Cincinnati : H.C. Johnson / Chicago : Charles Bill, 1867. Pp [i]-x,(2),[15]-507,(1), frontis portrait + 8 plates; (2),[15]-629,(5),+ 10 plates. With 47 Diagrams and Maps in text. Indexes. 8vo, rebound in modern maroon leather, gilt lettering to spine, new endpapers. Some naval content : Chap. XIV : The Merrimac and the Monitor (pp 336-352, includes a steel engraving of the “Naval Combat Between the Monitor &Merrimac”). Some foxing throughout, else a very good, newly rebound copy. The set for 150.00

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2 ABDESSEMED, Adel) MICHAUD, Philippe-Alain Adel Abdessemed : Je suis innocent
Steidl / Centre Pompidou, Gottingen, Germany / Paris, 2012, ISBN:9783869305417 
(ABDESSEMED, Adel). Adel Abdessemed : Je suis innocent. Organized by Philippe-Alain Michaud. Published on the occasion of the exhibition presented at the Centre Pompidou, Galerie Sud, from October 3, 2012 to January 7, 2013. from October 3, 2012 to January 7, 2013. (Gottingen, Germany) : Steidl / (Paris) : Centre Pompidou, (2012). First Edition. Pp (6),7-247,(1). Illustrated. 4to, illustrated white paper covered boards, black lettering to front board and spine. Adel Abdessemed, (born 1971 in Constantine, Algeria) is a conceptual artist who lives and works in Paris, France. Contents : Alfred Vacquement's "Foreword"; Works in the Exhibition; List of Works in the Exhibition; Philippe-Aiam Michaud's "Reality"; Emmanuel Alloa's " Portrait of theArtist as a Pagan"; Hanm's "To Live Dangerously"; 'Pamela M. Lee's "Animal Feeling"; Tom McDonough's "Zero Tolerance"; Patricia Falguieres's "State o f Exception"; Selected Solo and Group Exhibitions; Selected Bibliography. ADDITIONAL SHIPPING CHARGES WILL BE REQUIRED TO ORDERS OUTSIDE CANADA DUE TOITS WEIGHT. Very good. 35.00

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3 ACARD, Maurice, (ed.) LABELLE, Diana, (ed.) Metamorphoses : Metamorphosis
Guilde canadienne des metiers d'art ; La Federation des cooperatives , Montreal : Baie d'Urfe, 2006, ISBN:2980936901 
ACARD, Maurice, and Diane LABELLE, (eds.). Métamorphoses : Metamorphosis. Montréal : Guilde canadienne des métiers d'art / Baie d'Urfé : La Fédérationdes coopératives du Nouveau-Québec, 2006. Pp (2),3-[48]. Illustrated. Map. Large 8vom illustrated orange card covers, French flaps. A catalogue for a n exhibition of Inuit sculpture from Nunavut held May 25 - June 30, 2006, featuring works by Aisa Amittu, Adamie Anautak, Jobie Arnaituk, Lucassie Echalook, Noah Echalook, Thomassie Echalook, Eli Elijasiapik, Joanasi Jack Ittukallak, Mattiusi Iyaiyuk, Tamusiapik Sivuarapik and Jobie Uqaituk. Text inFrench, English and Inuktuk. Very good. 25.00

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4 ADAMS, Robert. Why People Photograph : Selected Essays and Reviews. First Edition in dustjacket.
Aperture, New York, 1994, ISBN:0893815977 
ADAMS, Robert. Why People Photograph : Selected Essays and Reviews. (New York): Aperture, (1994). First Printing. Pp. (14),13-186,(4). Illustrated in black and white. 8vo, white cloth spine with white paper covered boards, silver lettering to spine. "'Why People Photograph' is a book by a professional photographer about the relationship of art and life. In 1981 Robert Adams published a volume of essay entitled 'Beauty in Photography', in which hesuggested that art is too important to confuse with interior decoration or an investment opportunity. Its real use, he contended, is to affirm meanin g and thus 'to keep intact an affection for life'. 'Why People Photograph' gathers a selection of Adams's writing since then. His subjects vary, but again he questions accepted prejudice, this time not only the view that art is trivial but that artists are separate. He demonstrates that many understand themselves to be bound to the world by complex and important obligations. Adams's writing is free of academic jargon. Readers will also appreciatehis attention to common experience (he talks about trying to earn an incom e), his employment of the unorthodox (one essay concerns dogs and photography), and above all his conviction that art matters." - from the dustjacket.Very good in unclipped dustjacket. 35.00

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5 ADAMSON, Jeremy McPHERSON, Hugo, preface. Hart House Collection of Canadian Paintings. First Paperback.
Art Committee of Hart House/University of Toronto Press, Toronto, 1969, ISBN:0802040225 
ADAMSON, Jeremy. The Hart House Collection of Canadian Paintings. [Forewordby Hugo McPherson]. (Toronto): Published in Association with the Art Commi ttee of Hart House by University of Toronto Press, (1969). First Paperback Printing. Pp. (5),6-120. Illustrated (a few of which are in colour). Oblong8vo, decorated white card covers with gold titles to front and black title s to spine. Covers lightly rubbed, else very good. 15.00

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6 ALBERS, Joseph ALBERS, Josef Joseph Albers at the Metropolitan Museum of Art : An exhibition of his paintings and prints
Metropolitan Museum of Art, New York, 1971, 
(ALBERS, Joseph). Joseph Albers at the Metropolitan Museum of Art : An exhibition of his paintings and prints. New York : The Metropolitan Museum of Art, 1971. Pp (76). Illustrated. Large square 8vo, white card covers. Josef Albers (b .March 19, 1888, Bottrop, Westphalia, Germany - d. March 25, 1976, New Haven, Connecticut). Contents : Introduction; The Exhibition : Paintings, Prints; Biography; Principal One-man Exhibitions; Exhibition Catalogues; Graphic Portfolios; Writings by the Artist; Writings about the Artist. Lightly browned, penned name, offsetting from newspaper clipping laid in, else very good. 30.00

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7 ALEXANDER, Mary G. BERGHORN, Kathleen E., foreword Sybil Jacobson : Painting in the West
HMS Press, Toronto, 1985, ISBN:0919957145 
ALEXANDER, Mary G. Sybil Jacobson : Painting in the West. Foreword by Kathleen E. Berghorn. Toronto : HMS Press, (April 1985). First Printing. Pp (1),2-80. Illustrated. 8vo, illustrated white card covers, lettered in black. Canadian artist Sybil Jacobson was born in London, England, in 1881, moved to Saskatchewan in 1912, to Moose Jaw in 1932, to Winnipeg in 1934, and finally to Vancouver in 1936 where she died in 1953. Contents : Foreword; Introduction; 1. The The Early Years; 2. Rural Saskatchewan; 3. Moose Jaw; 4. Winnipeg; 5. British Columbia; 6. Sybil Jacobson's Last Years; Afterword. Smudge to back cover, inkstamp to inside front cover, else very good. 24.00

Price: 24.00 CDN
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8 ALLEN, Charlotte Vale Painted Lives : A novel. First Edition in dustjacket, signed.
Random House, Toronto, 1990, ISBN:0394221362 
ALLEN, Charlotte Vale. Painted Lives : A novel. Toronto: Random House, 1990. First Printing. Pp. (8),[1]-307,(5). 8vo, blue paper covered boards, giltlettered purple cloth spine. The Toronto-born author's twenty-sixth novel. "At its center is Mattie Sylvester. Fiery, headstrong, and outrageous, Mat tie is the elderly widow of one of America's foremost artists, Gideon Sylvester. Living now in a rabling house on an island off the Atlantic coast, Mattie spends hours each day gazing out to sea, recalling a turbulent past whose memory still makes her tremble with rage. Mattie's routine begins to change, however, with the arrival of the deceptively plain and restraited Sarah Kidd, whome Mattie has hired as a personal secretary. An unlikely bond forms between the two women as, night after night, Mattie takes Sarah into her confidence, narrating episodes from her unusual past -- her precocious childhood and early independence in New York, her circle of artist friends in the 1920s, her ruthlessly charming husband, their sons... and finally, Mattie reveals to Sarah the shocking truth about the famous Gideon Sylvester." - from the dust jacket. Very good in unclipped dust jacket. Signed and inscribed by the author on the half-title page. 25.00

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9 ALLEN, Jan, Ihor HOLUBIZKY, and Caroline Seck LANGILL Machine Life : Lois Andison, Doug Back, Peter Flemming, Simone Jones and Lance Winn, Jeff Mann, David Rokeby, Norman White.
Agnes Etherington Art Centre / The Koffler Gallery, Kingston / Toronto, 2004, ISBN:088911918X 
ALLEN, Jan, Ihor HOLUBIZKY, and Caroline Seck LANGILL. Machine Life : Lois Andison, Doug Back, Peter Flemming, Simone Jones and Lance Winn, Jeff Mann,David Rokeby, Norman White. Kingston : Agnes Etherington Art Centre / Toro nto : The Koffler Gallery, (2004). Pp [1]-63,(1). Illustrated. 8vo, illustrated white card covers, French flaps. This publication is produced in conjunction with the exhibition Machine Life at Agnes Etherington Art Centre, February - 18 April 2004, and Norm's Robots at the Koffler Gallery, 13 May - 27 June 2004. “Machine Life explores artists' use of robotics through the work of Norman White and the circle of artists he has taught and influenced through the past quarter century. This project examines the aesthetics of interactivity and traces the strategies of the current generation of electronic artists by highlighting the remarkably fruitful set of working methods,attitudes, and ethical positions that constitute the core of Norman White' s legacy and influence. Works by White, Lois Andison, Doug Back, Peter Hemming, Simone Jones and Lance Winn, Jeff Mann, and David Rckeby stage the complex interface between human and machine-based systems.” - from the back cover. Warped, else very good. 20.00

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10 Almanack] CRUIKSHANK, George THACKERAY MAYHEW Comic Almanack : An Ephemeris in Jest and Earnest, containing Merry Tales, Humourous Poetry, Quips, and Oddities by Thackeray, Albert Smith, Gilbert A. Pickett, The Brothers Mayhew, &c : The First Series, 1835-1843
Chatto & Windus, London, 0, 
[Almanack]. The Comic Almanack : An Ephemeris in Jest and Earnest, containing Merry Tales, Humourous Poetry, Quips, and Oddities by Thackeray, Albert Smith, Gilbert A. Pickett, The Brothers Mayhew, &c : The First Series, 1835-1843 . With many hundred illustrations by George Cruikshank and Other Artists. London: Chatto and Windus, [n.d. - ca. 1903]. Pp. (6),[1]-388,(32) of ads, frontis., + 108 leaves of black and white plates. Also includes numerous textual illustrations. 8vo, green cloth with gilt decoration and lettering to front and spine. Spine roll, faint soiling to margins of borders and outer hinges, some foxing, else vg. 90.00

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11 ALSWANG, Betty. HIKEN, Ambur. Personal House : The Homes of Artists and Writers. First Edition.
Whitney Library of Design, New York, 1961, 
ALSWANG, Betty and Ambur HIKEN. The Personal House : The Homes of Artists and Writers. New York : Whitney Library of Design, (1961). First Printing. Pp. (8),9-80. Illustrated in black and white, with two tipped-in colour plates. Large 4to, black cloth spine, photo-illustrated grey paper covered boards, red and black lettering to front board, gilt lettering to spine. Editedby Joan Adler. Contents: I: Westchester County: Hananiah Harari House (for painter Hananiah Harari and his wife Freda); Don Wallance House (industria l designer Don Wallance, and his wife Shula); Kanaga-Putnam House (for painter/journalist Wallace Putnam and his wife, photographer Consuelo Kanaga). II: Rockland County: Henry Varnum Poor House (painter/sculptor Henry VarnumPoor and Bessie Breuer); Corcos-Levy House (for author/scholar Edgar Levy and his wife, painter Lucille Corcos). III: Fairfield County: Jimmy Ernst House (artist Jimmy Ernst and his wife Dallas); Jean & Tom Hollyman House (fashion photographer Jean Hollyman, and her hsuband, journalist/photographerTom Hollyman); Bill Atkinson House (fashion designer Bill Atkinson and his wife Sylvia). IV: Bucks County: Reid-Bourneuf House (Broadway actors Franc es Reid and Philip Bourneuf); Valentine D'Ogries House (stained glass artist Valentine Francs D'Ogries); Wolfgang Roth House (stage designer Wolfgang Roth). V: The Hamptons: Costantino Nivola House (sculptor Costantino Nivola); Dorothy Norman House (journalist and historian Dorothy Norman); Johnson-Sykes House (painted Buffie Johnson and critic and novelist Gerald Sykes). VI: Woodstock: Small-Ludins House (sculptress Hannah Small and painter Eugene Ludins); Julio De Diego House (visual artist Julio de Diego); Anton Refregier House (painter and muralist Anton Refregier). Light spotting to top edge, else very good. 50.00

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12 ANDERSEN, Wayne KLEIN, Barbara GAUGUIN, Paul) Gauguin's Paradise Lost. 1st US in dj
Viking, New York, 1971, ISBN:0670335932 
ANDERSEN, Wayne. Gauguin's Paradise Lost. with the assistance of Barbara Klein. N.Y.: Viking Press, (1971). First Printing. Pp 371. Illustrated. 8vo, tan cloth spine, green cloth boards. "Gauguin's Paradise Lost encompasses both in an entirely new approach to the history of art. Andersen has made a thorough analysis of Gauguin's work, his personal writings as well as his art, letters, documents, and other sources, and has incorporated his interpretations of this material, much of which is new even to art historians, into the exciting story of Gauguin's psychological developments." Vg-fine in nicked, price-clipped dj. 30.00

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Nation's Pictures , Anonymous)
13 Anonymous) Nation's Pictures
Cassell and Co., London, 1903, 
(Anonymous) The Nation's Pictures. London: Cassell and Company, Ltd, 1903. [Complete in four volumes.] The set containing 193 chromo-photographic process three-colour plates, the plates tipped to stiff olive-grey paper and interleaved with separate printed descriptions for each plate. Pp. viii + 48 plates + [4] (ads); vi + 48 plates + [4] (ads); [4] (col. frontis. and accompanying descriptive leaf) + iv + 48 plates (numbered 2 - 49) + [4] (ads); xvi + 48 plates + [4] (ads). Folio (15" x 11"). With brief biographical notes of the painters in vol. 4, pp. v - xvi. The set would more properly havebeen titled "The Nation's Nineteenth-Century Pictures", as Turner is the e arliest of the 131 artists whose work is reproduced in these volumes. The Pre-Raphaelites, and those influenced by the PRB movement, have a representation in the volumes consistent with their continuing popularity at the timeof publication; and in quality of colour reproduction the plates are the e quals of those in some hastily dished-up modern books, and the better for the exactness of their colour registration. Extremities lightly to moderately worn, fore-corners bumped, some scratching and spotting of cloth, water-marking to rear board of vol. 1. The hinges, although no longer by any meanstight, are still very serviceable as little shaking has been suffered by t he set over time. Cost of shipping will be extra due to the weight of the set. 450.00

Price: 450.00 CDN
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14 Anonymous). Young Artists. A New Edition, with Illustrations
George Routledge and Sons, London , 1865, 
(Anonymous). The Young Artists. A New Edition, with Illustrations. London :George Routledge and Sons, n.d. [1860s]. Pp [i]-viii,[1]-305,(1),[1]-6(ads ), frontis + 3 plates. 8vo, red cloth, gilt to front board and spine. Contents : Prosper; or, The Young Sculptor. Emmeline; or, The Young Musician. Leon; or, The Young Engraver. Valerie; or, The Young Painter. Some wear to spine ends and corners, covers darkened and slightly stained, front inner hinge starting, a few gutter cracks and dampstains, foxing to some leaves, else good to very good. 30.00

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15 APPLETON, Thomas E. APPLETON, Thomas E. Sambro Marine Collection : A Selection of Drawings by Thomas E. Appleton
Hotel Nova Scotian, Halifax , 1975, 
APPLETON, Thomas E. The Sambro Marine Collection : A Selection of Drawings by Thomas E. Appleton. Halifax : Hotel Nova Scotian, (1975). Pp (11 leaves). Oblong 8vo, spiral bound card covers. Very good. 15.00

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16 APRESYAN, Z. Freedom and the Artist. First Printing, paperback
Progress Publishers, Moscow, 1968, 
APRESYAN, Z. Freedom and the Artist. Moscow : Progress Publishers, (1968). First Printing. Pp (6),7-[254],(2),+ 16 pp plates. Smal 8vo (pocketbook), illustrated white card covers with French flaps, lettered in black and grey.[Translated from the Russian by Bernard Meares]. Contents : Introduction; Necessity and the Artist's Freedom; The "Right of the "Subject"; The Impossibility of the Artist's Independence from Society. Rubbed, spine browned, spine ends nicked, else very good. 30.00

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17 ARBER, Peggy [et al] Vancouver Island Invitational 1980 / Printmakers : December 11, 1980 - January 11, 1981
Art Gallery of Greater Victoria, Victoria, 1980, ISBN:088885045x 
ARBER, Peggy [et al]. Vancouver Island Invitational 1980 / Printmakers : December 11, 1980 - January 11, 1981. (Victoria) : Art Gallelry of Greater Victoria, 1980. Pp (12). Illustrated. Oblong 8vo, white stapled card covers, lettered in black. Contents : Introduction (by Greg Bellerby); Peggy Arber,Gwen Curry, Flemming Jorgensen, Joyce Malloch, Yves Vial [biography, exhib itions, exhibitions list, and artist's statement for each artist]. Very good. 15.00

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18 ARMSTRONG, Bruce. RADDALL, Thomas, foreword. Sable Island. An imaginative and exciting journey to the world's northern Galapagos, and an eloquent plea for the preservation of a unique and timeless part of Nova Scotia. New Edition, Paperback.
Formac Publishing Company Limited, Halifax, 2010, ISBN:9780887809118 
ARMSTRONG, Bruce. Sable Island. [Front cover adds: "An imaginative and exciting journey to the world's northern Galapagos, and an eloquent plea for the preservation of a unique and timeless part of Nova Scotia"]. Halifax: Formac Publishing Company Limited, (2010). Pp. (6),7-192. Illustrated in colour. Double column. Large oblong 8vo, illustrated card covers with blue and grey spine, black and brown lettering to front cover and spine. Foreword by Thomas Raddall. Cover photo by Zoe Lucas. "Sable Island is the world's mostmysterious and notorious sandbar, situated 160 kilometres off the shore of southeast Nova Scotia. The island is currently receiving much attention be cause of its new designation as a National Park. Known for centuries as 'The Graveyard of the Atlantic,' its forty-kilometre length has claimed over five hundred ships since the earliest adventurers and fishing vessels sailedto North America. Even today Sable presents serious problems to navigators . The home of the world's last herds of wild horses, the island is a fragile, shifting crescent of sand and grass whose beauty and violence has fascinated and inspired countless adventurers, writers, artists and scientists for over three hundred years. Bruce Armstrong takes the reader on a personal journey to Sable. He brings to life the early shipwrecks, lifesaving establishments and settlement attempts that have marked the island's long and varied hisory. There are ghost stories, tales of exceptional bravery and first-hand imp[ressions of the island left by men and women such as Sir HumphreyGilbert, Dorothea Dix and Alexander Graham Bell. Contemporary material abo ut Sable is based on interviews with some of the people who lived in this lonely place as lifesavers, wireless operators, conservationists and scientific observers; their experiences contribute an immediate sense of Sable's spirit and power. 'Sable Island' is an imaginative and exciting journey to the world's northern Galapagos. It is also an eloquent plea for the preservation of a unique and timeless part of Nova Scotia. 'Sable Island' was awarded the Evelyn Richardson Prize, the pre-eminent award for non-fiction in Atlantic Canada." - from the rear cover. Very good. 18.00

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19 ARMSTRONG, Tom, et al KRAUSS, Rosalind E. HASKELL, Barbara 200 Years of American Sculpture. First Edition in dustjacket.
Godine, New York, 1976, ISBN:0879231858 
ARMSTRONG, Tom, Wayne CRAVEN, Norman FEDER, Barbara HASKELL, Rosalind E. KRAUSS, Daniel ROBBINS, and Marcia TUCKER. 200 Years of American Sculpture. (New York) : David R. Godine, Publisher, in association with the Whitney Museum of American Art, (1976). First Edition. Pp (8),[9]-336. Double column. Illustrated. 4to, cream cloth, gilt lettering to spine. "This volume presents the first major study of the dramatic unfolding of the history of American sculpture . The works of over 140 artists.have been carefully selected from collections across the United States and Europe Europe to reflect the rich diversity of expression achieved in the past 200 years. A group of seven distinguished scholars and curators have contributed stimulating accountsof various periods of development. Remarkable tor the breadth ot critical perception and thinking, these studies explore the multi- dimensions of American sculpture, including a new look at Indian and folk art. The essays are chronologically organized to trace the major phases of growth: nineteenth-century American sculptors' dependence on European models, the transition from modeling to carving technique, and the experiments with non-hgurative torms during the early decades of the twentieth century. [...] Sumptuously illustrated with over 450 black and white photographs and 68 full-color plates, the book is a splendid visualization ot the development and achievements of American sculpture." - from the dj. Contents: Sponsor's introduction by David Rockefeller; Foreword by Tom Armstrong; "Aboriginal art" by NormanFeder; "Images of a Nation in Wood, Marble and Bronze: American Aculpture from 1776 to 1900" by Wayne Craven; "The Innocent Eye: American Folk Sculpture" / Tom Armstrong; "Statues to Sculpture: From the nineties to the thirties" / Daniel Robbins; "Magician's Game: Decades of Transformation, 1930-1950 / Rosalind E. Krauss; "Two Decades of American Sculpture: A Survey" by Barbara Haskell; "Shared Space: Contemporary Sculpture and its Environment" by Marcia Tucker Selected bibliography by Libby W. Seaberg; Artists' biographies and bibliographies by Libby W. Seaberg ; assisted by Cherene Holland.Very good in dustjacket. 60.00

Price: 60.00 CDN
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20 ARNALDO, Javier MOELLER, Magdelena M. Brucke : El Nacimiento del Expresionismo Aleman
Museo Thyssen-Bornemisza / Fundacion Caja Madrd, Madrid, 2005, ISBN:8496233200 
ARNALDO, Javier, y Magdalena M. MOELLER (comisarios). Brucke : El Nacimiento del Expresionismo Aleman. (Madrid) : Museo Thyssen-Bornemisza / FundacionCaja Madrd, (2005). Pp (14),15-397,(1). Illustrated. Index. 4to, illustrat ed black card covers, French flaps. Contents : Brucke, cien anos después (por Magdalena M. Moeller); Estilo y empatia: La incvocacion de un arte salvaje (por Javier Arnaldo); Brucke y la centralidad de lo primitivo (por Reinhold Heller); La obra grafica de los artistas de Brucke: Sus relaciones con el dibujo, la pintura y la escultura (por Gunther Gercken). Catalogo : I. Bru¨cke antes de Bru¨cke (por Javier Arnoldo); II. Entre la fuente y la cumbre : por una cultura reformada (por Javier Arnoldo); III. Dresde a la luz de Van Gogh (por Christiane Remm); IV. El dibujo veloz, la estampa duradera (por Janaina Dahlmanns); V. Exteriores rurales (por Christiane Remm); VI. El retrato de los artistas (por Christiane Remm); VII. Primitivismo (por Janaina Dahlmanns); VIII. Interiores con modelo (por Christiane Remm); IX.,Desnudos en el paisaje (por Janina Dahlmanns); X. El especta´culo como ritual (por Janina Dahlmanns); XI. Los salvajes en la ciudad (por Javier Arnaldo).Cronologia : El grupo de artistas Brucke, 1905-1913 (por Christiane Remm). Obras de catalogo. Text in Spanish. ADDITIONAL SHIPPINH CHARGES WILL BE RE QUIRED FOR ORDERS OUTSIDE CANADA DUE TO ITS WEIGHT. Very good. 85.00

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