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1 'LAMB, Venice and Alastair FISKE, Patricia (ed.) Lamb Collection of West African Narrow Strip Weaving
Textile Museum, Washington, D.C., 1975, 
'LAMB, Venice and Alastair. The Lamb Collection of West African Narrow Strip Weaving. Edited by Patricia Fiske. Exhibited at the Textile MuseumMarch 7to September 20, 1975. Washington, D.C.: The Textile Museum, 1975. Pp (2), 3-48. Ilustrated (some in colour). Map. Double Column. Large 8vo, illustrated pink stapled card covers, lettered in black. "The Lamb Collection of West African narrow strip cloth contains well over 1000 iterqs, including complete cloths, sample strips and snippets, loom parts such as beaters, sword sticks and heddle pulleys, as well as a number of complete looms and photographic records of African weaving designs and techniques. Most of the itemsin the collection were acquired by the Lambs in the field, and, in additio n to the beauty of the individual cloths, the thorough documentation of thepieces is an invaluable contribution to the study of this body of material ." (from the Foreword by Patricia Fiske). Sunned, else very good. 15.00

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2 4th Estate - Halifax, N.S. LARGE, Brenda TULLOCH, Anne FILLMORE, Nick Artscalendar Summer 72
4th Estate, Halifax, 1972, 
(The 4th Estate). Artscalendar [Summer 72]. (Halifax, N.S.: The 4th Estate,1972). Pp [1]-24. Illustrated. 4to [11.5 by 15.5 inches], unbound newsprin t. Artscalendar Summer 72 was published as a special supplement to The 4th Estate newspaper, June 1, 1972. Contents : 1. Icecubes and the Phantom Tollbooth (by Anne Tulloch). 2. The Quest for the Canadian Play (by Pauline Janitch). 3. M. Samuels and the Yankee Gale (by Brenda Large). 4. Summer Doldrums (by Peter Zimmer). 5. Fighting for Our History (by Nick Fillmore). 6. Big City Festival. 7 Our Impressario and the Bolshoi (by Brenda Large). 8. Ukeleles and Harpsichords (by Reva Friedman). 9. TV Immersion, Etc. (by Pat Verge). 10. Getting Serious About Crafts (by Peter Zimmer). 11. The Storiesof Two Giants. Horizontal crease, else very good. 12.00

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3 ADAMS, John D. Arts-Crafts Lamps
Popular Mechanics Co., Chicago, 1911, 
ADAMS, John D. Arts-Crafts Lamps. Popular Mechanics Handbook. Chicago : Popular Mechanics Co., (1911). Pp (5),6-87,(1),(5,ads),(3). Illustrated. 8vo, green cloth, gilt lettering to front board and spine, white lamp sketch to front board. Includes includes photographs and sketches/plans for building various types of lamps. Contents : Introduction. 1. One-Light Portable Lamp. 2. Two-Light Portable Lamp. 3. Four-Light Chandelier. 4. Dining-Room Dome. 5. Reading Lamp. 6. Parlor or Den Lantern. 7. Lantern. 8. One-Light Portable. 9. Shade for Drop Light. 10. Four-Light, Chain-Hung Chandelier. 11. One-Light Bracket. 12. Piano Lamp. 13. Wall Lamp . 14. Newel Post Lamp. 15. Electric Candle Sconce. 16. One-Light Bracket. Covers warped, spine gilt rubbed off, edgeworn, spotting to cloth, front inner hinge cracked, else good.35.00

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4 ADOVASIO, J.M. Aldine Manuals on Archaeology. SCHUMACHER, Edward. ANDREWS, Rhonda. Basketry Technology : A Guide to Identification and Analysis. Hardcover.
Aldine Publishing Company, Chicago, 1977, 
ADOVASIO, J.M. Basketry Technology : A Guide to Identification and Analysis. Drawings by Edward Schumacher and Rhonda Andrews. Chicago: Aldine Publishing Company, (1977). Pp. (7),[viii]-x,[1]-182. Illustrated in black and white, with more than 160 figures. Double column. 4to, tan cloth with black and brown lettering to spine, black lettered brown title block to spine. A volume in the Aldine Manuals on Archaeology series. Contents: 1. Introduction; 2. Recovery and Preparation; 3. Analysis of Twined Basketry; 4. Analysis of Coiled Basketry; 5. Analysis of Plaited Basketry; 6. Analysis of Miscellaneous Basketry Constructions; 7. The Basketry from Antelope House, A Case Study in Description and Interpretation. With index. Very good. 35.00

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5 AKABOSHI, Goro and Heiichiro NAKAMARU NAKAMARU, Heiichiro SILLA, June, trans. Five Centuries of Korean Cermaics : Pottery and Porcelain of the Yi Dynasty. 1st english ed in dj.
Weatherhill/Tankosha, New York, 1975, ISBN:0834815141 
AKABOSHI, Goro and Heiichiro NAKAMARU. Five Centuries of Korean Cermaics : Pottery and Porcelain of the Yi Dynasty . Translated by June Silla. New York: Weatherhill/Tankosha, (1975). First English Edition. Pp. [1]-159,(1), including plates. Illustrated in black and white. 8vo, olive-green cloth spine with decorated cream paper covered boards, gilt lettering to spine. Top edge spotted, else vg in nicked, unclipped dj. 50.00

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6 Alberta - Provincial Museum]. Creative Tradition : Indian Handicrafts and Tourist Art. A travelling exhibition from the collections of the Provincial Museum of Alberta.
Alberta Culture, Provincial Museum of Alberta, Edmonton, 1982, 
(Alberta Provincial Museum). The Creative Tradition : Indian Handicrafts and Tourist Art. A travelling exhibition from the collections of the Provincial Museum of Alberta. Funded by the National Museums of Canada. (Edmonton: Alberta Culture, Provincial Museum of Alberta, 1982). Pp (2),[1]-67,(3). Illustrated with 11 full-colour reproductions, and several smaller black-a nd-white illustrations. 4to, illustrated black card covers, white letteringto front cover, blank spine. Foreword by Mary J. LeMessurier. "The exhibit ion [...] documents changes which occurred in the material culture of western Canadian Indians in the post-Euorpean contact period. These changes reveal much about the nture of Indian-European interactions in this period. Thehistorical perspective of the study provides vital keys to the understandi ng and appreciation of contemporary Indian culture." - from the foreword. Name, else very good. Due to its relatively small size, shipping costs should be a bit cheaper than quoted. 35.00

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7 ALFOLDY, Sandra. McGill-Queen's/Beaverbrook Canadian Foundation Studies in Art History Allied Arts : Architecture and Craft in Postwar Canada.
McGill-Queen's University Press, Montreal & Kingston, 2012, ISBN:9780773540033 
ALFOLDY, Sandra. The Allied Arts : Architecture and Craft in Postwar Canada. Montreal and Kingston: McGill-Queens University Press, (2012). Pp. (10),[xi]-xv,(9) of illustrations,[1]-227,(1). Illustrated, sometimes in colour. Large 8vo, illustrated blue and green card covers with white spine, yellow and white lettering to front cover, black lettering to spine, french flaps.A volume in the McGill-Queen's/Beaverbrook Canadian Foundation Studies in Art History series. "During periods of close collaboration, championed by figures like John Ruskin and William Morris, architecture and craft were referred to as 'the allied arts'. By the mid-twentieth century, however, it was more common for the two disciplines to be considered distinct professional fields, with architecture having little to do with studio craft. 'The Allied Arts' investigates the history of the complex relationship between craft and architecture by examining their intersection in Canadian public buildings. Sandra Alfoldy explains the challenges facing the development of public craft and documents the largely ignored public craft commissions of the post-war era. The book highlights theg global concerns of material, scale, form, ornament, and identity shared by architects and craftspeople. It alsostudies the ways in which the allied arts are mediated by institutions and the fragility of craft commissions that were once considered an integral p art of the built environment. Considering a wide range of craftspeople, materials, and forms -- from the ceramics of Jack Sures and Jordi Bonet to thetextile work of Mariette Rousseau-Vermette and Carole Sabiston -- Alfoldy celebrates the successes of architectural craftsmanship, developing ideas about the complex relationship between architecture and craft that reach well beyond national boundaries." - from the rear cover. Very good. 30.00

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8 AMBASZ, Emilio (ed.) Italy : The New Domestic Landscape : Achievements and Problems of Italian Design. First Edition in dustjacket
Museum of Modern Art, New York, 1972, ISBN:0870703843 
AMBASZ, Emilio (ed.). Italy : The New Domestic Landscape : Achievements andProblems of Italian Design. New York : The Museum of Modern Art, in collab oration with Centro Di, Florence, (April 1972). First Edition. Pp (10),[11]-430,(2). With 520 illustrations (124 in color). 4to, white paper covered boards, black lettering to spine, in a printed glassine dustjacket with fivepieces of cut-out objects illustrative of Italian design inserted into jac ket as issued. "During the last decade, the emergence of Italy as the dominant force in design has had a profound influence in Europe and the Americas. This phenomenon is important not only becasue of the high quality and diversity of the forms produced, but also because it has generated a lively debate on the sociocultural implications of product design, raising questionsof vital concern to designers throughout the world. For many designers, th e aesthetic quality of individual objects intended for private consumption has become irrelevant in the face of such pressing problems as poverty, urban decay, and the pollution of the environment now encountered in all industrialized countries. Consequently, they are increasingly shifting the focusof their attention from the well-designed object to man's total environmen t, seeing the designer's function as one that can mold patterns of behaviorby creating new settings for freeer, mor adaptable life styles. [...] This publication, issued in conjunction with a major exhibition at The Museum o f Modern Art, is the first to deal comprehensively with these challenging developments. Over 150 objects of Italian design of the past ten years have been selceted for the show and all are reproduced in color or black-and-white, as are the dozen environments by well-known Italian designers speciallycommissioned for the occasion." (from the dj)., Contents : Preface; Introd uction (by Emilio Ambasz); Objects Selected for their Formal and Technical Means; Objects Selected for their Sociocultural Implications; Objects Selected for their Implications of more Flexible Patterns of Use and Arrangement. Environments: Introduction; Design Program; Design as Postulation: Gae Aulenti, Ettore Sottsass, Joe Colombo, Alberto Rosselli, Marco Zanuso and Richard Sapper, Mario Bellini; Design as Commentary: Gaetano Pesce; Counterdesign as Postulation: Ugo La Pietra, Archizoom, Superstudio, Gruppo Strum, Enzo Mari; Winners of the Competition for Young Designers: Gianantonio Mari, Group 9999. Historical Articles: Introduction ; Art Nouveau in Italy (by Paolo Portoghesi); The Futurist Construction of the Universe (by Maurizio Fagiolo dell'Arco); The Beginning of Modern Research, 1930-1940 (by Leonardo Bonevolo); Italian Design 1945-1971 (by Vittorio Gregotti). Critical Articles: Introduction; Italian Design in Relation to Social and Economic Planning(by Ruggero Cominotti); Housing Policy and the Goals of Design in Italy (b y Italo Insolera); Ideological Development in the Thought and Imagery of Italian Design (by Giulio Carlo Argan); The Land of Good Design (by Alessandro Mendini); Radical Architecture (by Germano Celant); Design and Technological Utopia (by Manfredo Tafuri); A Design for New Behaviors (by Filiberto Menna). Summary (by Emilio Ambasz). ADDITIONAL SHIPPING CHARGES WILL BE REQUIRED FOR ORDERS OUTSIDE CANADA DUE TO ITS WEIGHT. Very good in browned dustjacket (with all five cut-outs present). 100.00

Price: 100.00 CDN
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9 Americana Magazine Americana. Volume 6, Number 3, July / August, 1978
American Heritage Publishing , New York , 1978, 
(Americana Magazine). Americana. Volume 6, Number 3, July / August, 1978. New York : American Heritage Publishing Co., Inc., 1978. Pp [1]-78,(2). Illustrated. Double Column. 4to, illustrated stapled wrappers. Contains articles on old paint, baseball cards, Wallace Nutting, Boothbay's Theater Museum,the Bradbury Building, bottled water, branding irons, the singing telegram , and more. Rubbed, else very good. 8.00 Keywords : A MAGAZINE PERIODICAL ANTIQUES COLLECTIBLES xBRANDING IRONS UNITED STATES

Price: 8.00 CDN
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10 Antiques Gazette. Volume 2, Number 6, July / August 1976 Antiques Gazette. Volume 2, Number 6, July / August 1976
Left Bank Publications, Vancouver, 1976, 
(Antiques Gazette). Antiques Gazette. Volume 2, Number 6, July/August 1976.Vancouver : Left Bank Publications, 1976. Pp (2),3-30,(2) including covers . Illustrated. Triple Column. 4to, illustrated brown stapled wrappers. Includes articles on silver pots, Canadian pine, engravings, and U.S. bicentennial collectibles. Spine bowned, else very good. 8.00

Price: 8.00 CDN
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11 ARNOLD, Ruth PURRINGTON, Rollo, foreword Weaving on a Draw-Loom. Part I [and] Part II
Arnold Publications, Otis, Mass., 1956, 
ARNOLD, Ruth. Weaving on a Draw-Loom. Part I [and] Part II. Otis, Mass.: Arnold Publications, 1956. Pp (6),1-14; (20). Illustrated. 8vo, tan stapled card covers, front covers printed in black. Part I : Text and Explanation ofDiagrams. Foreword by the Maker of the Draw-Loom (Rollo Purrington). Prefa ce by Ruth Arnold. Part II : Illustrative Diagrams. Spines browned, penned name, else very good. 50.00

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12 Art - Native - Iroquois) Report : An Industrial Design Study based on Traditional Iroquoian Art and Forms
Department of Indian Affairs and Northern Development, 1969, 
(Art - Native - Iroquois). Report : An Industrial Design Study based on Traditional Iroquoian Art and Forms. A preliminary study of the arts and crafts of historic and pre-historic Iroquoian culture and its practical application to contemporary crafts. Ottawa: Department of Indian Affairs and Northern Development, February 1969. Pp. 11, followed by six leaves of plates. Large 8vo, light orange printed card covers. Slight bend to lower front corner, previous owner's name inked to title page, else vg. 20.00

Price: 20.00 CDN
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Iron : Cast and Wrought Iron in Canada from the Seventeenth Century to the Present. First Edition in dustjacket, ARTHUR, Eric and Thomas RITCHIE
13 ARTHUR, Eric and Thomas RITCHIE Iron : Cast and Wrought Iron in Canada from the Seventeenth Century to the Present. First Edition in dustjacket
University of Toronto Press, Toronto, 1982, ISBN:0802024297 
ARTHUR, Eric and Thomas RITCHIE. Iron : Cast and Wrought Iron in Canada from the Seventeenth Century to the Present. Toronto : University of Toronto Press, (1982). First Edition. Pp (6),[vii]- xiv,[1]-242. Double column. Illustrated. 4to, dark grey cloth, black lettering to front and spine. "This volume is a tribute to the ironmasters - men of persistence, determination, and inventiveness, who have been little recorded or recognized; to the craftsmen whose high standards of design and fabrication allowed beauty to touchwhat could have been mundane - kettles, pots, sugar tongs, and above all, the stoves for which Canada is famous; and finally, to the worker in wrought iron whose creations reached a pinnacle in the magnificent fence enclosing the Parliament Buildings in Ottawa. With 250 black and white illustrations of everything from steamships to stoves, trains to trivets, and spits to spittoons, this book provides an introduction to iron: its preparation, forming, application, and decorative properties and uses. The focus is primarily Canadian. As Eric Arthur explains: 'To some degree, to study iron in Canada is to follow the gradual sophistication of Canadian culture. Ironworking began in Canada, as elsewhere, to a large extent to produce implements ofthe utmost utility, yet even in these the creative abilities of the ironwo rker are visible. As Canadian society developed, ironworking gradually began to fulfil more sophisticated desires. Finally, the age of industrialization was based on the ability of the iron- worker to produce rails and locomotives, ships and machines - in short all the things that made the growth ofCanada possible.' " - from the dj. Contents: 1. The technology of iron; 2. The development of the Canadian iron and steel industry; 3. The hammer and the anvil: wrought iron (and The Lozeau crosses); 4. The engineer and the ironmaster: cast and rolled iron; 5. Fences, railings, and palings, iron grilles and gratings, hinges and hardware, handrails and stairs, doors, gates, portals and other grand entrances (with photo essay of Frederick Flatman and The Parliament Buildings in Ottawa); 6. Pots and pans, trivets and tongs, cauldrons and kettles, spits and spittoons, irons and andirons, and muchelse; 7. Initiative, inventiveness, and daring in nineteenth-century archi tecture cast in iron (with a photo essay on the Hamilton Pump-House); 8. Stoves for all seasons: for heating and cooking -- ornate for the opulent, modest for the majority -- firebacks and fireplaces, mantels and other iron accoutrements; 9. Iron ships and iron horses: the pioneer developers. With notes, bibliography and index. Very good in dustjacket. 50.00

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14 Atlantic Society of Handweavers Loomsong. Vol. 8, No. 1, September 1977.
Atlantic Society of Handweavers, 1977, 
(Atlantic Society of Handweavers). Loomsong. Vol. 8, No. 1, September 1977.N.pl.: Atlantic Society of Handweavers, 1977. Pp [1]-19,(1). 4to, blue top -corner-stapled wrapper. The newsletter of the Atlantic Society of Handweavers. Penned name, else very good. 10.00

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15 ATWATER, Mary M How To Weave on the Inkle Loom
Shuttle-Craft Guild, Basin, Montana, 1941, 
ATWATER, Mary M. How To Weave on the Inkle Loom Basin, Montana : The Shuttle-Craft Guild, 1941. Pp [1]-6,(4) leaves printed one side only. Illustrated. 4to, illustrated tan stapled card covers. Margins browned, penned name and address, else very good. 50.00

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Der Universal Spielwaren Katalog, 1924-1926 , BACHMANN, Manfred
16 BACHMANN, Manfred Der Universal Spielwaren Katalog, 1924-1926
Hugendubel, Leipzig, 1985, ISBN:3880342318 
BACHMANN, Manfred. Der Universal Spielwaren Katalog, 1924-1926 . Herausgegeben und kommentiert von Manfred Bachmann. (Leipzig): Hugendubel, (1985). Pp. [4],(1)-386,(1)-23,[1]. 4to, illustrated white cloth boards with black spine. A German toy catalogue from the mid-1920s. Text in German. Vg. 50.00

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17 BAGNELL, Kenneth (ed.). MacINTYRE, Linden GRESCOE, Paul CLARKE, Patricia Review. Volume 61, Number 3, 1977, Issue number 335.
Toronto , Imperial Oil Limited, 1977, 
BAGNELL, Kenneth (ed.). The Review. Volume 61, Number 3, 1977, Issue number335. (Toronto : Imperial Oil Limited, 1977). Pp [1]-31,(1) including cover s. Illustrated. Double Column. 4to, illustrated grey stapled card covers. Cover has" Nova Scotia's litany of solitudes" and a.Freeman Patterson photo.Contents : "Mountain, Cliff, and Crag" [on the Cabot Trail], with photos b y Freeman Patterson ] (by Linden Maclntyre, pp 2-11, Tennyson, Cape Bretoniana 2259); The real world [oil] (by Wynne Thomas, pp 12-15); "The Ocean's Elite" [nature] (by Paul Grescoe, pp 16-21); "By Hand" [Quebec crafts] (by Jean Martin, pp 22-25); "The Near Miracle" [uranium] (by Patricia Clarke, pp26-29). Very good. 15.00

Price: 15.00 CDN
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18 BANKS, Steven Handicrafts of the Sailor. 1st in dj.
David & Charles, 1974, 
BANKS, Steven. The Handicrafts of the Sailor. Newton Abbot: David & Charles, (1974). First edition. Pp 96. Illustrated. Large 8vo, blue cloth. Toy 2483. A retired RN captain's essay on shipboard crafts and the maritime cultures that produced them. Contents include: "The Sailor's World"; "Identification and Dating of Ships"; "Identification and Dating of Sailors"; "Wood and Nuts"; "Bone, Ivory, Horn and Shells"; "Cordage and Textiles". With glossary and bibliography. Vg in dj. 50.00

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19 BARBEAU, Marius JACKSON, A. Y. CARR, Emily KIHN, W. Langdon Downfall of Temlaham. Hurtig edition in dustjacket
Hurtig Publishers, Edmonton, 1973, ISBN:0888300700 
BARBEAU, Marius. The Downfall of Temlaham. Illustrations by A. Y. Jackson, Edwin H. Holgate, W. Langdon Kihn, Emily Carr and Annie D. Savage. Edmonton: Hurtig Publishers, (1973). First Hurtig Edition. Pp. (4),[i]-xii,(2),3-2 53,(9), colour frontispiece + twelve colour plates. 8vo, red cloth, gilt titles to spine. Reprint of the original 1928 Macmillan edition. 3 plates by Jackson, 1 by Carr, 1 by Savage, 4 by Holgate, and 4 by Kihn. Introduction by George C. Clutesi. First published in 1928 The Downfall of Temlaham is the work of the distin guished Canadian ethnologist, the late Dr. Marius Barbeau. A prolific writer whose contribution to our knowledge of Indian and French-Canadian folklore, arts and crafts is unsurpassed, Barbeau offers in this book a sympathetic and dramatic portrayal of a vanquished race in conflict with itself. Based on the facts of a serious disturbance among the Indians of the Upper Skeena River in 1886, it is the story of Kamalmuk and Sunbeams, husband and wife, separated by opposing ambitions and the ambivalence of the Indian's attraction to the benefits of the white man's civilization and his revulsion against its excesses. Barbeau weaves into his interpretation of these events the legends of Temlaham, the ritual of authenticr tribal customs and the expressive but poetic language of a people in anguish."- from the dj. "Marius Barbeau's The Downfall of Temlaham, written and pub lished before the current deluge of works by self-styled authorities on Indian folklore, is indeed a joy to read." - Clutesi. Small tear to lower edgeof four blank from the end, owner's name inked to top and bottom edges and ffep, else vg in spine sunned dustjacket. 35.00

Price: 35.00 CDN
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20 BARBEAU, Marius JACKSON, A.Y HOLGATE, Edwin H. CARR, Emily. Downfall of Temlaham. Hurtig edition in dustjacket
Hurtig Publishers, 1973, 
BARBEAU, Marius. The Downfall of Temlaham. Illustrations by A. Y. Jackson, Edwin H. Holgate, W. Langdon Kihn, Emily Carr and Annie D. Savage. Edmonton: Hurtig Publishers, (1973). First Hurtig Edition. Pp. (4),[i]-xii,(2),3-2 53,(9), colour frontispiece + twelve colour plates. 8vo, red cloth, gilt titles to spine. Reprint of the original 1928 Macmillan edition. 3 plates by Jackson, 1 by Carr, 1 by Savage, 4 by Holgate, and 4 by Kihn. Introduction by George C. Clutesi. First published in 1928 The Downfall of Temlaham is the work of the distin guished Canadian ethnologist, the late Dr. Marius Barbeau. A prolific writer whose contribution to our knowledge of Indian and French-Canadian folklore, arts and crafts is unsurpassed, Barbeau offers in this book a sympathetic and dramatic portrayal of a vanquished race in conflict with itself. Based on the facts of a serious disturbance among the Indians of the Upper Skeena River in 1886, it is the story of Kamalmuk and Sunbeams, husband and wife, separated by opposing ambitions and the ambivalence of the Indian's attraction to the benefits of the white man's civilization and his revulsion against its excesses. Barbeau weaves into his interpretation of these events the legends of Temlaham, the ritual of authenticr tribal customs and the expressive but poetic language of a people in anguish."- from the dj. "Marius Barbeau's The Downfall of Temlaham, written and pub lished before the current deluge of works by self-styled authorities on Indian folklore, is indeed a joy to read." - Clutesi. Very good in dustjacket.40.00

Price: 40.00 CDN
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