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141 Arts and Trades Valuable Secrets concerning Arts and Trades : or, approved Directions, fromthe best Artists, for the various methods Of engraving on Brass, Copper, o r Steel; Of the Composition of Metals, and Varnishes; Of Mastichs and Cements, Sealing-wax, &c. ...
Printed by Thomas Hubbard, Norwich , 1795, 1795 
(Arts and Trades). Valuable Secrets concerning Arts and Trades : or, approved Directions, from the best Artists, for the various methods Of engraving on Brass, Copper, or Steel; Of the Composition of Metals, and Varnishes; Of Mastichs and Cements, Sealing-wax, &c.; Of Colours and Painting, for Carriage Painters; Of Painting on Paper; Of Compositions for Limners; Of Transparent Colours; How to dye Skins or Gloves; To colour or varnish Copperplate Prints; Of Painting on Glass; Of Colours of all sorts, for Oil, Water, and Crayons; Of the Art of Gilding; The Art of dying Woods, Bones, &c.; The Art of Moulding; The Art of making Wines; Of the various Compositions of Vinegars; Of Liquors and Essential Oils; Of the Confectionary Art; Of taking out all sorts of Spots sand Stains. Norwich : Printed by Thomas Hubbard, 1795. Pp (2),[i]-xxii,[1]-240. Small 8vo (106 x 170 mm), full calf.

Heavy wear to covers, recently rebacked, waterstaining and foxing to some leaves, light foxing and smudging throughout, tears to a couple of leaves, overall a worn but complete copy. As is. 800.00

Price: 800.00 CDN
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142 Artscanada / Arts Canada.. GREENWOOD, Michael FRY, Philip CHANDLER, John Noel Artscanada. Vol. 29, No. 1, Issue No. 164/165, February/March 1972
Society for Art Publications, Toronto , 1972, 
(Artscanada). Artscanada. Vol. XXIX, No. 1, Issue No. 164/165, February/March 1972. Toronto : Society for Art Publications, 1972. Pp [1]-76. Illustrated. Double Column. 4to, illustrated card covers. Contents : “John Boyle” byMichael Greenwood; “letters purporting to be abt tom thomson” by Roy K. Ki yooka; “The artist in the landscape: Robin Mackenzie” by John Noel Chandler; “only take for granted the things that you can touch” by Tom Burrows; “Paul Red-Beard: A Canadian Hero” by Theodore Allen Heinrich; “Native Art of North America: a review article” by Joan M. Vastokas; “Robert Hedrick” by Barrie Hale; “François Dallegret: a catalogue” with notes by Peter Blake; “Tony Tascona” by Philip Fry; “The contingencies of color and form: Reg Holmes” by Walter Klepec; and more. Rubbed, else very good. 10.00

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143 ARWAS, Victor, Alphonse Mucha : The Spirit of Art Nouveau. First Edition in dustjacket
Yale University Press / Art Services International, Alexandria, VA / , 1998, ISBN:0300074190 
ARWAS, Victor, . Alphonse Mucha : The Spirit of Art Nouveau . Alexandria, VA / "Art Services International, in association withYale University Press",1998. First Printing. Pp (7),8-344. 4to, black cloth, silver lettering to spine. With 248 color plates, 113 b&w illustrations. "Alphonse Mucha (July 24. 1860 - July 14 1939) was one of the most important decorative artists working in Paris at the turn of the century. His distinctive and original posters and his decorative panels in Le style Mucha became almost synonymous with French Art Nouveau. He became a trusted advisor admirer and designer to the actress Sarah Bernhardt, and was also well known as the creator of familiar advertisements and as a book illustrator. Yet there was much more toMucha's achievement than this. At the height of his career as a decorative artist, he became convinced that art should serve ideas: he became a devot ed contributor to the artistic activities of the interwar Czech government,and he completed a major and controversial cycle of monumental paintings c alled the Slav Epic, as well as portraits and large symbolic paintings. This book, a first full-scale treatment of Mucha's entire oeuvre, includes discussions and reproductions of paintings, posters, decorative panels, pastels, drawings, photographs, jewelry and illustrations from throughout his career. In addition, the authors provide essays on Mucha's Paris years; his association with Sarah Bernhardt; his acquaintance with Sarah Bernhardt, his career after the turn of the century including his years in America, his work as an illustrator, The Slav Epic, his photography, and the reconstruction of his design for the magnificent Fouquet Boutique in Paris". - from the dj. The essays : "The Spirit of Mucha" by Ronald F. Lipp and Suzanne Jackson; "Bohemia and Paris" by Jana Orlíková-Brabcová; "New Aspirations, 1900-1939" by Anna Dvorak; "Mucha's Debut in Fin de Siècle Paris" by Victor Arwas;"Mucha and Photography," by Quentin Bajac; "Would Mucha Have Made It on Ma dison Avenue?" by Jack Rennert; "Le Style Mucha and Symbolism" by Victor Arwas; "Mucha and Sarah Bernhardt" by Victor Arwas; "Mucha and Sculpture" by Victor Arwas; "Alphonse Mucha as Illustrator" by Anna Dvorak; "The Slav Epic" by Anna Dvorak; "The Fouquet Boutique" by Jean-Marie Bruson; "Jiri Mucha: Keeper of the Flame" by Geraldine Mucha. Extra shipping will be needed onorders outside Canada for this heavy book. Very good in dustjacket. 65.00

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144 ASHER, Lauren, et al (eds.) Subjects / Objects 4
Brown University, Providence, R.I., 1986, 
ASHER, Lauren, et al (eds.). Subjects / Objects 4. (Providence, R.I.: BrownUniversity, 1986). Pp (7),1-102,(1). Index. 8vo, black card covers, letter ed in white and red, blank spine. Subjects/Objects is an annual journal of cultural theory. "Our Amazonian project leaves us seeming like a gang of bandits stealing meaning from the fertile womb of capital production. Dada? Even standing with one toot over the edge of chance, the ngnt word emerges to pierce the facade of our improvisation. The gaps furrowed in history by ideology are still sealed with a (tender) kiss of law. To breed man requiresa narcissism capable of transposing subject in object: the paradoxy of the long quote eternally returning to contest its own recontextualization; the (a-)radial metaphor of self-begetting, obsessive tactics of induction with all tne value of water over blood, a zero degree." (p. [iii]). Rubbed and edgeworn, old price sticker, else very good. 20.00

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145 ASHER, Lauren, et al (eds.) DELEUZE, Gilles. GUATTARI, Felix. HAYNES, Todd Subjects / Objects 3
Brown University, Providence, R.I., 1985, 
ASHER, Lauren, et al (eds.). Subjects / Objects 3. (Providence, R.I.: BrownUniversity, 1985). Pp (3),4-184. Illustrated. 8vo, black card covers, lett ered in white and blue. Subjects/Objects is an annual journal of cultural theory. Contents : The Power of the Particular (by Brian Massumi); Becoming-Woman (by Gilles Deleuze and Felix Guattari); Double-Bind (by Sarah Boyd); The Open Text: Where To? (by Laurence Enjolras); Barthes, Borges, Foucault , Utopia (by Christoph Cox); Homoaesthetics and Querelle (by Todd Haynes); Boccaccio/Lacan (by Francesca Talenti); From the Canvas to the Page: Rhetorical Movements in the Discourse on Art (by Hans-Joachim Berressem); Woman'sExile: Helen In Egypt (by Heather Findlay); Diderot, Barthes, Hieroglyph ( by Victor Burgin); Desiring Dispersal: Politics and the Postmodern (by Nannie Doyle); Peggy and Fred in Hell (by Leslie Thornton). Some wear to spine ends and edges, else very good. 20.00

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Modern American Sculpture. in dj , ASHTON, Dore
146 ASHTON, Dore Modern American Sculpture. in dj
Abrams, 1967, 
ASHTON, Dore. Modern American Sculpture. N.Y.: Harry N. Abrams, n.d. [1967]. Pp 54 + 80 plates. Folio, blindstamped black cloth. [108 illustrations, 35 in full colour]. Vg in dj. 100.00

Price: 100.00 CDN
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147 ASKEVOLD, David Enlightened Symbols [artist's poster]
ASKEVOLD, David. Enlightened Symbols [artist's poster]. A 24 by 27 inch poster by David Askeviold, created as part of Wallpapers : An Installation andExhibiton of Walpaper Works by Nova Scotia College of Art and Design Facul ty, Alumni, and Guest Artists in Celebration of the Establishment of the NSCAD Archive at the Art Gallelry of Nova Scotia, 17 June 2000 - 14 January 2001. David Askevold (30 March 1940 – 23 January 2008) was an experimental Canadian artist who lived in Nova Scotia. Rolled up, else very good. 150.00

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148 Association des Historiens Modernistes des Universités La Femme à L'époque Moderne XVIe - XVIIe siècle. Actes du Colloque de 1984.Bulletin no. 9,
Presses de l'Université de Paris - Sorbonne, Paris, 1988, 
Association des Historiens Modernistes des Universités. La Femme à L'époqueModerne XVIe - XVIIe siècle. Actes du Colloque de 1984. Bulletin no. 9. (P aris : Presses de l'Université de Paris - Sorbonne, 1988). Pp (6),3-105,(3). 8vo, blue card covers, lettered in black. Association des Historiens Modernistes des Universités, Bulletin no. 9. Sommaire : Introduction (par AndréCorvisier). La femme et la formation du couple en France à l'époque modern e (par Jean-Marie Gouesse); La femme et la religion en France, en milieu catholique, au XVIIe siècle (par Jean de Viguerie); La femme et la religion en milieu protestant (par Roger Stauffenegger); Les femmes dans les révoltespopulaires (par Yves-Marie Bercé); La condition féminine dans la France mé ridionale au XVIIIe siècle (par Nicole Castan); La femme et la culture durant les temps modernes (par Suzanne Pillorget); La femme dans l'art françaisdu XVIIe siècle (par Jacques Thuillier); Esquisse d'une géographie féminin e (par Georges Livet). Text in French. Very good. 30.00

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149 ASTMAN, Barbara SANDERS, Joyan Barbara Astman, October 15 - November 9, 1980
McIntosh Gallery, The University of Western Ontario, London, Ontario, 0, 
ASTMAN, Barbara. Barbara Astman, October 15 - November 9, 1980. (London, Ontario) : McIntosh Gallery, The University of Western Ontario, (1980). Pp (8) including covers. Illustrated. Oblong 8vo, illustrated white stapled cardcovers, lettered in black. Contents : Foreword (by Joyan Sanders); Artist' s Statement (by Barbara Astman); Curriculum Vitae. Very good. 20.00

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150 Athapaskan Art) TEBBLE, Norman, foreword. TAYLOR, William E., Jr. IDIENS, Dale. Athapaskans : Strangers of the North : An International Travelling Exhibition from the Collection of the National Museum of Man, Canada, and the Royal Scottish Museum
National Museum of Man, 1974, 
(Athapaskan Art). The Athapaskans : Strangers of the North : An International Travelling Exhibition from the Collection of the National Museum of Man,Canada, and the Royal Scottish Museum. (Ottawa: National Museum of Man, 19 74). Pp (4),[3]208,(2). Mostly double column. Large 8vo, photo-illustrated black cardcovers, lettered in white. Helm, The Indians of the Subarctic: A Critical Bibliography 179. Contents : Foreword (by Norman Tebble). A Quiet Discovery (by William E. Taylor, Jr.). The Athapaskan Indian Collection in the Royal Scottish Museum (by Dale Idiens). The Athapaskan Ethnology Collection of the National Museum of Man (by Barrie Reynolds). The Athapaskans: Strangers of the North (by A. McFadyen Clark): Introduction; Athapaskan Historical nd Comparative Lnguistics; Northern Athapaskan Prehistory; Traditional Northern Athapaskan Lifewavs; Natural Habitat; Social Life; Annual Cycleof Activities; Life Cycle; The Supernatural, Shamanism, and Ceremonialism; Trade and Warfare; The Contact Period; The Northern Athapaskans Today. Cat alogue: Prehistory; White Contact; Traditional Lifeways; Winter Subsistence; Winter Transport; Skin Preparation; Clothing; Domestic Implements; Ceremonial Objects; Summer Subsistence; Summer Transport; The Northern Athapaskans Today. Bibliography. Maps : 1. Distribution of Athapaskan Peoples in North America; 2. Distribution of Northern Athapaskan Linguistic Groups. Spine & covers rubbed, else very good. 40.00

Price: 40.00 CDN
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151 ATKINSON, Rick Long Gray Line : The American Journey of West Point's Class of 1966. 1st USin dj
Houghton Mifflin, Boston, 1989, 
ATKINSON, Rick. The Long Gray Line. [dustjackets adds : The American Journey of West Point's Class of 1966]. Boston : Houghton Mifflin Co., 1989. First Printing. Pp (8),[ix]-xiii,(3),[1]-592,+ 24 8vo, grey paper-covered boards, blue cloth spine. "Theirs was the dream of all young men : tobecome heroes. Inspired by John E Kennedy's call to serve the nation, the West Point class of 1966 first gathered above the Hudson River on a glorious afternoon in July 1962. But as the cadets swore their oath of allegiance,they could not begin to imagine the dark journey that lay ahead. The Long Gray Line is the true story of that journey, an epic tale about an extraordinary generation of military officers and the women they loved. This spellbinding narrative brings to life a rich cast of characters, including Douglas MacArthur, William Westmoreland, and a score of other memorable figures. Yet the story is told primarily through the lives of three classmates. JackWheeler, whose intelligence is surpassed only by his idealism, comes from a long line of soldiers, but gradually he discovers that he lacks any real appetite for the bloody art of war. Brash and impetuous Tom Carhart aspiresto wear a general's stars, yet he is haunted by bad luck and his stubborn refusal to compromise his principles. George Crocker, born to lead troops through the dark of night, becomes ever more proficient as a warrior, and his story is the story of the Army over the past quarter century. Rick Atkinson tracks the men of '66 through their high-spirited cadet years and into the fires of Vietnam, where dozens of them died and hundreds more grew disillusioned. During the hard peace that followed, they resigned from the Army in record numbers, only to find that civilian life offered no easy answers either. West Point - an institution of mythic proportions - remained a powerful influence in their lives, even as the academy itself weathered a period of profound change. The tragic war, a shameful cneating scanda, the divisive questioning of the ideals upon which the academy had stood for nearly two centuries — all shook West Point to its foundation, forcing soldiers andciivilians alike to reconsider the. role of the military in a democratic s ociety. Brilliantly conceived and eloquently written, The Long Gray Line tells a deeply affecting story that spans twenty-five turbulent years. The West Point class of 1966 straddled a fault line in American history, and thismasterly book speaks for a generation about innocence, patriotism, and the price we pay for our dreams." - from the dj. Owner's blindsatmp on endpape r, else very good in like dj.

Price: 20.00 CDN
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152 ATWOOD, M.A. WILMHURST, Watter Leslie Hermetic Philosophy and Alchemy : A suggestive inquiry into The Hermetic Mystery with a dissertation on the more celebrated of the alchemical philsophers. Revised Edition
Jukian Press, Inc., New York, 1960, 
ATWOOD, M. A. [Mary Anne]. Hermetic Philosophy and Alchemy : A suggestive inquiry into "The Hermetic Mystery" with a dissertation on the more celebrated of the alchemical philsophers. Revised Edition. With an Introduction by Walter Leslie Wilmhurst. New York : The Jukian Press, Inc., 1960. Pp (4),1-64,[v]-xxv,(3),[3]-597,(1). 8vo, green cloth, gilt lettering to spine, top edge dyed green. Pritchard, Alchemy: A Bibliography of English-Language Writings 83.2. Contents : Part I - An Exoteric View of the Progress and Theoryof Alchemy. Chapter I ~ A Preliminary Account of the Hermetic Philosophy, with the more Salient Points of its Public History. Chapter II ~ Of the Theory of Transmutation in General, and of the First Matter. Chapter III ~ TheGolden Treatise of Hermes Trismegistus Concerning the Physical Secret of t he Philosophers’ Stone, in Seven Sections. Part II - A More Esoteric Consideration of the Hermetic Art and its Mysteries. Chapter I ~ Of the True Subject of the Hermetic Art and its Concealed Root. Chapter II ~ Of the Mysteries. Chapter III ~ The Mysteries Continued. Chapter IV ~ The Mysteries Concluded. Part III - Concerning the Laws and Vital Conditions of the Hermetic Experiment. Chapter I ~ Of the Experimental Method and Fermentations of the Philosophic Subject According to the Paracelsian Alchemists and Some Others. Chapter II ~ A Further Analysis of the Initial Principle and Its Education into Light. Chapter III ~ Of the Manifestations of the Philosophic Matter. Chapter IV ~ Of the Mental Requisites and Impediments Incidental to Individuals, Either as Masters or Students, in the Hermetic Art. Part IV - The Hermetic Practice. Chapter I ~ Of the Vital Purification, Commonly Called the Gross Work. Chapter II ~ Of the Philosophic or Subtle Work. Chapter III ~The Six Keys of Eudoxus. Chapter IV ~ The Conclusion. Name, else very good . 150.00

Price: 150.00 CDN
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153 Auction Catalogue - Bird Decoys] Antique Firearms from the Collection of the Late Warren S. Shaw of Lewiston, ME AND American Bird Decoys from the Collection of Barton Blum of East Holden, Maine
Richard W. Oliver Auction and Art Gallery, Kennebunk, ME, 1983, 
[Auction Catalogue - Bird Decoys]. Antique Firearms from the Collection of the Late Warren S. Shaw of Lewiston, ME AND American Bird Decoys from the Collection of Barton Blum of East Holden, Maine . Richard W. Oliver Auction and Art Gallery. Saturday, March 5, 1983, at 10:00am (Firearms). Sunday, March 6, 1983, at 1:00pm (Decoys). (Kennebunk, ME): Richard W. Oliver Auctionand Art Gallery, 1984. Pp. (78). Unpaginated. Illustrated. Firearms and De coys portions of the catalogue bound back-to-back. Prices realizedin ink for all 227 decoy lots (but none of the firearms lots). 4to, illustrated stapled cream card covers. Vg. 35.00

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154 Auction Catalogue - Bird Decoys] Rare and Important American Bird Decoys, Richard W. Oliver Auction and Art Gallery
Richard W. Oliver Auction and Art Gallery, Kennebunk, ME, 1984, 
[Auction Catalogue - Bird Decoys]. Rare and Important American Bird Decoys,Richard W. Oliver Auction and Art Gallery . Saturday, July 7, 1984, at 10: 30am. Sunday, July 8, 1984, at 1:30pm. (Kennebunk, ME): Richard W. Oliver Auction and Art Gallery, 1984. Pp. (200). Unpaginated. Illustrated. Prices realized for a large percentage of the nearly 850 lots in the catalogue. 4to, illustrated green card covers, with blank spine. Some light edgewear, else vg. 45.00

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155 AUDUBON, John James) DAVIDSON, Marshall B. (intro.) Original Water-Colour by John James Audubon for The Birds of America. vol 1 in dj.
Crown Publishers, Inc., New York, 0, ISBN:0517067366 
(AUDUBON, John James). The Original Water-Colour by John James Audubon for The Birds of America : Reproduced in colour from the collection at the New York Historical Society. Introduction by Marshall B. Davidson. [With 431 exact reproductions in full color from the original collection]. Volume One. (NY): Crown Publishers / American Heritage, [n.d. - ©1966, though includes ISBN, so 1970s]. Pp. [i]-xxxi,(1),[1]-431 plates (some folding),xxxiii-lv,(1). Illustrated in colour. 4to, blue cloth with dark blue gilt lettered blocks to front and spine. Minor fore-edge nicking, else vg in nicked, lightlyedgeworn, price-clipped dj. 90.00

Price: 90.00 CDN
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156 AUGAITIS, Daina, ed TOWNSEND-GAULT, Charlotte, intro. ALEXANDER, Shelagh. APRIL, Raymonde. Frame of Mind. in dj.
Walter Phillips Gallery, 1993, 
AUGAITIS, Daina, ed. Frame of Mind : Viewpoints on Photography in Contemporary Canadian Art. Introduction by Charlotte Townsend-Gault. (Banff, Alberta): Walter Phillips Gallery, (1993). Pp 134. Square large 8vo, ill. card covers. Vg in rubbed, nicked dj. 25.00

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157 AURIER, Gabriel-Albert). MATHEWS, Patricia Townley. Studies in Fine Arts: Criticism, 18. Aurier's Symbolist Art Criticism and Theory. First Edition.
UMI Research Press, Ann Arbor, 1986, ISBN:0835716864 
(AURIER, Gabriel-Albert). MATHEWS, Patricia Townley. Aurier's Symbolist ArtCriticism and Theory. Ann Arbor, MI: UMI Research Press, (1986). First Pri nting. Pp. (6),[vii]-xvi,(2),[1]-212,(2). 8vo, grey cloth with black lettering to front board and spine. Studies in the Fine Arts: Criticism, Number 18. Series editor: Donald B. Kuspit. Aurier b. May 5 1865, Chateauroux; d. Oct 5, 1892, Marseille). Contents: I: Biography and Milieu: 1. Biography andDevelopment of an Aesthetic; 2. Intellectual Milieu: The Role of Science i n Symbolist Aesthetics -- Mysticism -- Mystical Idealism -- Subjectivism --Scepticism -- Aurier's Sceptical Subjective Concept of Reality -- Pessimis m -- Sceptical Pessimism towards the Nature of Man and Civilization -- Aurier on the Nature of Man and Civilization. II: Aesthetic Theory: 3. CreativeProcess: La Synthese du moi -- La Reverie philosophique -- La Haute Synthe se -- La Traduction: Expressive Theory; 4. Aesthetic Experience and Critical Process: Aesthetic Experience -- Theory of Criticism; 5. Practical Application of Aurier's Aesthetic Theory: Hierarchy of Ideals -- Les Copieurs: Salon Art -- Les Chercheurs: Realists -- Les Chercheurs: Ideists -- Les Trouveurs: Symbolists. With bibliography and index. Light spotting to edges, else very good. 60.00

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158 AUSTIN, Peter and Julia SALLABANK, (eds). Cambridge Handbook of Endangered Languages. First Edition in dustjacket
Cambridge University Press , Cambridge , 2011, ISBN:9780521882156 
AUSTIN, Peter and Julia SALLABANK, (eds). The Cambridge Handbook of Endangered Languages. (Cambridge) : Cambridge University Press, (2011). Pp (4),[v]-xii,[1]- 567,(5). Index. Large 8vo. black cloth, copper lettering to spine. "It is generally agreed that about 7,000 languages are spoken across theworld today and at least half may no longer be spoken by the end of this c entury. This state-of-the-art Handbook examines the reasons behind this dramatic loss of linguistic diversity, why it matters, and what can be done todocument and support endangered languages. The volume is relevant not only to researchers in language endangerment, language shift and language death , but to anyone interested in the languages and cultures of the world. It is accessible both to specialists and non-specialists: researchers will findcutting-edge contributions from acknowledged experts in their fields, whil e students, activists and other interested readers will find a wealth of readable yet thorough and up-to-date information."- from the dj. Contents : 1..Introduction – Peter K. Austin and Julia Sallabank. 2. Language ecology and endangerment – Lenore A. Grenoble. 3. Speakers and communities – ColetteGrinevald and Michel Bert. 4..A survey of language endangerment – David Br adley. 5..Language contact and change in endangered languages – Carmel O’Shannessy. 6..Structural aspects of language endangerment – Naomi Palosaari and Lyle Campbell. 7..Language and culture – Lev Michael. 8. Language and society – Bernard Spolsky. 9. Language documentation – Anthony C. Woodbury. 10..Speakers and language documentation – Lise M. Dobrin and Josh Berson. 11..Data and language documentation – Jeff Good. 12. Archiving and language documentation – Lisa Conathan. 13. Digital archiving – David Nathan. 14..Language policy for endangered languages – Julia Sallabank. 15..Revitalizationof endangered languages – Leanne Hinton. 16..Orthography development – Fri ederike Lüpke. 17..Lexicography in endangered language communities – UlrikeMosel. 18..Language curriculum design and evaluation for endangered langua ges – Serafin M. Coronel-Molina and Teresa L. McCarty. 19..The role of information technology in supporting minority and endangered languages – Gary Holton. 20..Endangered languages and economic development – Wayne Harbert. 21..Researcher training and capacity development in language documentation –Anthony Jukes. 22..New roles for endangered languages – Máiréad Moriarty. 23..Planning a language-documentation project – Claire Bowern. Fine in dustjacket. 100.00

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159 AVERY, Milton) BREESKIN, Adelyn D. AVERY, Milton. ROTHKO, Mark Milton Avery
National Collection of Fine Arts, Smithsonian Institution, Washington, D.C., 1969, 
(AVERY, Milton). Milton Avery. Introduction by Adelyn D. Breeskin. [Washington, D.C.] : Published by The National Collection of Fine Arts, SmithsonianInstitution, 19969. Distributed by The New York Graphic Society Ltd., Gree nwich, Connecticut. Pp (96). Illustrated (some in colour). Large 8vo, illustrated pale green paper covered boards (hardcover), lettered in black. Commemorative Essay by Mark Rothco. Milton Avery (March 7, 1885 – January 3, 1965) was an American modern painter. Sunned, else very good. 28.00

Price: 28.00 CDN
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160 AVETISIAN, Minas) IGITIAN, G. AVETISIAN, Minas Minas Avetisian. in dustjacket
Aurora Art Publishers, Leningrad, 1975, 
(AVETISIAN, Minas). Minas Avetisian. Leningrad : Aurora Art Publishers, (1975). Pp (4),5-[27],(3),+ 102 colour plates. 4to, white cloth, blue lettering to front board, gile lettering to spine. Minas Avetisyan (1928 — 1975) was an Armenian painter. Text in English and Russian. Penned gift inscription, else very good in dustjacket and plain brown paper slipcase. 90.00

Price: 90.00 CDN
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