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161 Axiom : Atlantic Canada's Magazine, Vol. 2, No. 3, February/March 1976 BRUCE, Harry MANUGE, Robert CAMPAGNA, Wayne Collector: Fine Art for Fun and Profit. An article about Halifax art dealer, Robert Manuge, in Axiom : Atlantic Canada's Magazine, Vol. 2, No. 3, February/March 1976
Axiom, Halifax , 1976, 
BRUCE, Harry. “The Collector: Fine Art for Fun and Profit.” An article about Halifax art dealer, Robert Manuge, in Axiom : Atlantic Canada's Magazine,Vol. 2, No. 3, February/March 1976, pp 6-7, 42, 45, 57 (3 photos). (Halifa x : Axiom, 1976). Pp 1-60. Illustrated. Triple Column. 4to, illustrated stapled wrappers. Cover photograph of Robert Manuge. Other articles : D.T. (Pat) Murphy's “Look out! here comes Henry Purdy”; Karen L. Casselman's “The Uncommon Art of Polly Greene”; John W. Chalmers's “The Mantle of Britannia”;Robert Nielsen's “Hockey: Circus of Violence”; David Cole's short story “T he Last Resort”; Mary Jane Losier's short story “The Child Who was Free...”; Wayne Campagna's “Fat Frank's: Small Wonder on Spring Garden Road”; and more. Rubbed, bottom margin browned, else very good. 10.00

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162 AYAO, Hoshi ELVIN, Mark (ed.) ELVIN, Mark (trans.) Michigan Abstracts of Chinese and Japanese Works on Chinese History No. 1 Ming Tribute Grain System. First Edition
University of Michigan Center for Chinese Studies, 1969, 
AYAO, Hoshi. The Ming Tribute Grain System. Translated by Mark Elvin. Ann Arbor, Michigan: University of Michigan Center for Chinese Studies, (1969). First Edition. Pp (6),[i]-iii,(1),1-112,(6). Illustrated with several maps to text. 8vo, art-illustrated card covers. No. 1 in the Michigan Abstracts of Chinese and Japanese Works on Chinese History series. "The Tribute GrainTransport was the system of moving official grain, and other goods by wate r from the provinces to the capital, and some time from the capital to other regions. It was the economic basis of the political power of successive Chinese dynasties." -from the introduction. Previous name, else very good. 28.00

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163 AYLWARD, W.J. Ships and How to Draw Them
Pitman Publishing Corporation, New York, 1950, 
AYLWARD, W.J. Ships and How to Draw Them. New York: Pitman Publishing Company, (1950). Pp. [64]. Illustrated. 8vo, oblong, green stapled illustrated card covers. Wear to spine, minor soiling to covers, else vg. 12.00

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164 AYRTON, Michael LEWIS, Wyndham, introd. Golden Sections. First Edition in dustjacket.
Methuen, London, 1957, 
AYRTON, Michael. Golden Sections. With an introduction by Wyndham Lewis. London : Methuen & Co. Ltd, (1957). First Edition. Pp (6),7-219,(5),+ 12 plates. 8vo, red cloth, gilt design to front board, gilt lettering to cloth. "Golden Sections are sections of the author's experience which he holds golden. Some of these sections are occupied by people as diverse as the fourteenth-century Sienese painter Barna, the sculptor Giovanni Pisano; by Piero della Francesca, Michaelangelo, Thomas Nashe, the Elizabethan poet and pamphleteer, Berlioz, Liszt, Degas, Picasso, Constant Lambert the composer, and Wyndham Lewis. All these and many others have formed nthe man who has wrritten these essays and he writes to celebrate his debt to them. Other sectionscontain his attitude to painting itself and his love for the visible world . The Foreword is Wyndham Lewis's last piece of writing." (from the dj). Penned name, marginal pencil marks, else very good in edgeworn, torn and spine-sunned, but unclipped, dustjacket. 35.00

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165 AYSCOUGH, Florence Chinese Women : Yesterday and Today. in dustjacket.
Houghton Mifflin, Boston, 1937, 
AYSCOUGH, Florence. Chinese Women : Yesterday and Today. Boston : Houghton Mifflin, (1937). Pp. [i]-xiv,[1]-324,(2), frontis., + 1 plate, including numerous textual illustrations. Illustrations. 8vo, red cloth with gilt lettered black title blocks to front and spine. Some edgewear, faint marginal browning, else very good in rubbed, hinge-worn, chipped, price-clipped dustjacket. 30.00

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166 AZZAM, Khaled, and Keith CRITCHLOW CRITCHLOW, Keith Arch in Islamic Architecture
Visual Islamic & Traditional Arts Dept., The Prince of Wales's Institute of Architecture, London, 1997, ISBN:1898465185 
AZZAM, Khaled, and Keith CRITCHLOW. The Arch in Islamic Architecture. (London : Visual Islamic & Traditional Arts Dept., Prince of Wales's Institute of Architecture, 1997). Pp (1),2-85,(1). Illustrated. 8vo, white spiral bound, illustrated blue card covers, lettered in white. Cover title : A Study in the Geometry of the Arch in Islamic Architecture. "Traditional Islamic architecture clearly establshes an equilibrium between the significance of form and its physical expression. This relationship is maintained through an understanding of geometry, not only as a precise science, but also as a vehicle for generating art and beauty. This monograph illustrates the geometric construction which underlie the arch form in Islamic architecture. This analysis will hopefully provide a reference for architects and craftsmen to preserve and re-interpret the traditional arch form throughout the Islamic world." (from the back cover). Very good. 150.00

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167 BAADER, Juan MOORE, James and Ingeborg, trans. Sailing Yacht : How it Developed - How it Works. First British Edition in dustjacket
Adlard Coles, London, 1965, 
BAADER, Juan. The Sailing Yacht : How it Developed - How it Works. Translated from the German by James and Ingeborg Moore. London : Adlard Coles, 1965. First British Printing. Pp. (11),12-336, frontispiece + 18 leaves of plates and 3 folding plans. Illustrated with plans, charts, tables, &c in the text. Large 8vo, red cloth with gilt lettering to spine. Toy 4494 : "The most useful single book available to the sailing yachtsman." "First published in Spanish in Buenos Aires in 1962 under the title of El Deports de la Vela. German translation revised and augmented by the author published by Verlag Delius, Klasing & Co, 1963 under the title of Segelsport - Degeltechnik -Segelyachten". "The author of this book is a distinguished Argentinian nav al architect and expert on yachting theory and practice. It was originally published in Spanish and has also had a considerable success in Germany. Senor Baader's reputation can be said to be truly international. In this volume he makes a comprehensive study of almost every aspect of yachting, in particular aerodynamic theory. Yachting history, techniques and even such relatively little-known subjects as land and ice-yachting are all discussed. Altogether the book contains a mass of information of interest to yachtsmen,much of it not easily available elsewhere. And this intormaiion is explain ed with the help of exceptionally clear and attractive diagrams as well as many photographs of unusual interest. There are no less than 210 diagrams, line drawings, 3 folding pull-outs and 68 photographs. It is a book which is certain to attract all those interested in sail." - from the dj. Contents: 1. From the First Sail to the Fast Clipper. 2. The Early History of Yach ting. 3. Keelboats and Centreboarders, Round Bilge and Hard Chine. 4. One- and Two-masted Rigs of Modern Yachts. 5. Wind and Speed and how they AffectOne Another. 6. The Effect of the Wind on Sails and Boat. 7. Investigation into Sailing on the Wind. 8. Cause and Correction of Weather Helm and Lee Helm. 9. Introduction to the Aerodynamics of Sailing. 10. The Aerodynamics of Sailing. 11. Wind Forces on the Reach. 12. Testing Sailing Models. 13. Stability as a Factor of Propulsion. 14. Stability as Safety Factor. 15. Determining the Sail Area. 16. The Mast: The Main Problem of the Sailing Yacht. 17. True Speeds Under Sail. 18. High and Maximum Speeds Under Sail. 19. The Resistance of Sailing Craft. 20. Surlace Friction. 21. Wind Resistance. 22. Wind Balance. 23. Resistance on All Points of Sailing. 24. Complete Analysis of Resistance and Propulsion of a Dinghy. 25. The Influence of Wave Motion on Speed. 26. The Shape of Modern Yachts. 27. The Most Popular Rigs and their Headsails. 28. Cut and Use of the Modern Spinnaker. 29. The Art ofCutting Sails. 30. The Trimming of Boat and Sails. 31. Racing lecnnique—Ra cing Tactics. 32. Yacht Classes. 33. Racing Dinghy Classe. 34. Keelboat Racing Classes. 35. International Formula Classes. 36. International Cruiser/Racer Classes. 37. Modern Cruisers. 38. Large Sailing Yachts. 39. Small Unclassified Offshore Cruisers. 40. Small Yachts which have Sailed Round the World. 41. Ten Unusual Yachts. 42. Cadet Classes. 43. Motor Sailers. 44. The Catamaran. 45. Faster than the Wind. 46. Hull Shapes of the Future. 47. Rigs ot the Future. 48. The Conquest of the Sea. 49. Sailing Round the World in Yachts. 50. The Sea and the Winds. 51. The Size of Waves in the Ocean. 52. Dangers at Sea. 53. Special Sails for Long-distance Ocean Voyages. 54. Four Ways to Weather a Storm. 55. Safety Measures for Long Ocean Voyages. 56.Navigation Instruments.; 57. The Immediate future: Sailing Blind? 58. Famo us Ocean Races. 59. The America's Cup. 60. Rating Rules for Yachts. 61. Sail Cloth Made from Synthetic Fibres. 62. Conventional and Modern Building Materials. 63. Auxiliary Engines in Sailing Yachts. 64. Propellers for Sailing Yachts. Appendices : 1. Normal Ground Tackle. 2. Conversion Table for Weights and Measures. Very good in rubbed, and lightly soiled dustjacket. 45.00

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168 BAARSLAG, Karl RIESENBERG, Felix, Capt., preface SOS to the Rescue. First Edition.
Oxford University Press, New York, 1935, 
BAARSLAG, Karl. SOS to the Rescue. With a preface by Capt. Felix Riesenberg. New York: Oxford University Press, 1935. First American Printing. Pp. (5),vi-xvi,(2),1-310, frontispiece, + 16 leaves of plates. Illustrated. 8vo, grey cloth with green lettering and decoration to front and spine. "For the past score of years the world has thrilled at intervals to epics of the sea, mighty vibrant tragedies of sacrifice and heroism. Hour by hour, almost minute by minute, the progression of disaster and of rescue has been broadcast about the world. In this book the whole story is told for the first time, from the viewpoint of the wireless operators, by one of their craft. We see the fascinating development of this great art as the men of the key, the'brass-pounders', have practised it. The marvelous utility of wireless is brought home ot us by the stories of mighty events in which it has played amajor part. The collision between the Republic and the Florida; the sinkin g of the huge Titanic; the rapid foundering of the Empress of Ireland; the heroic rescue of the crew of the storm-swept Antinoë by the President Roosevelt; the dreadful capsizing of the Vestris; the fatal burst of flame on board the Morro Castle on the hour before making port; these and many more sea disasters are part of the story of SOS." - from the dust jacket. Contents: 1. CQD and SOS; 2. Jack Binns Sends out the CQD; 3. The Unsinkable Ship; 4. The Empress of Ireland; 5. The Roosevelt and the Antinoe; 6. The Vestris; 7. Fire at Sea; 8. The Unlucky Tashmoo; 9. Pioneer Wirelessmen; 10. Girl Marine Radio Operators; 11. Memorial. A couple instances of brown offsetting from laid-in newspring, else very good in edgeworn, hinge-torn (tape repaired), corner-trimmed but not price-clipped dust jacket. 50.00

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169 BAAS, Jacquelynn and Mary Jane JACOB ANDERSON, Laurie DANTO, Arthur C. Buddha Mind in Contemporary Art. First Edition.
University of California Press, Berkeley, 2004, ISBN:0520243463 
BAAS, Jacquelynn and Mary Jane JACOB, (eds.). Buddha Mind in Contemporary Art. Berkeley: University of California Press, (2004). First Printing. Pp. (8),[9]-280. Illustrated in colour. Large 8vo, illustrated black glossy paper covered boards with red titles to front and spine. Contents: Jacquelynn Baas's "Nowhere from Here: Contemporary Art and Buddhism"; Mark Epstein's "Sip My Ocean: Emptiness as Inspiration"; Eleanor Rosch's "If You Depict a Bird, Give It Space to Fly: On Mind, Meditation, and Art"; Arthur C. Danto's "Upper West Side Buddhism"; Kay Larson's "Shaping the Unbounded: One Life, One Art"; Marcia Tucker's "No Title"; Carol Becker's "Intimate, Immediate, Spontaneous, Obvious: Educating the Unknowing Mind"; Suzanne Lacy's "Havingit Good: Reflections on Engaged Art and Engaged Buddhism"; Laurie Anderson 's "Time and Beauty"; Tosi Lee's "Fire Down Below and Watering, That's Life: A Buddhist Reader's Response to Marcel Duchamp"; Stephen Batchelor's "Seeing the Light: Photography as Buddhist Practice"; Linda V. Bamber's 'Reading as a Buddhist"; and Mary Jane Jacob's "In the Space of Art". With interviews with the following artists: Rirkrit Tiravanija, Ann Hamilton, Marina Abramovic, Ernesto Pujol, Sanford Biggers, Kimsooja, Michael Rotondi, Lee Mingwei, Ann Carlson, Zhang Huan, Bill Viola, and Mariko Mori. Glossary by Yvonne Rand. Remainder mark to bottom edge, else very good. 35.00

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170 BACH, Carl Philipp Emanuel Cassell Books on Music series MITCHELL, William J., trans. Essay on the True Art of Playing Keyboard Instruments. Second Edition in dustjacket.
Cassell and Company Limited, London, 1951, 
BACH, Carl Philipp Emanuel. Essay on the True Art of Playing Keyboard Instruments. Translated and Edited by William J. Mitchell. London: Cassell and Company, Limited, (1951). Second Edition. Pp. (6),vii-xiii,(1),1-449,(1), including portrait frontispiece. Illustrated. 8vo, black cloth with gilt titles to spine. "This work not only presents the best keyboard method of the eighteenth century but is a compendium of the entire practice of music in the times of Frederick the Great. It laid down principles derived from the 'old Bach', Johann Sebastian, in such a manner that it became the foundation for all the subsequent works of Clementi, Cramer and Hummel. This treatise is indispensable for every well-informed musician and music lover, for in it are explained in great detail all the technical and aesthetic precepts ofthe music of the mid-eighteenth century." -from the dustjacket. Very good in spine-nicked, unclipped dustjacket. 40.00

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171 BACK, George) HOUSTON, C.Stuart, (ed.) MacLAREN, I.S. FRANKLIN, John Arctic Artist : The Journal and Paintings of George Back, Midshipman with Franklin, 1819-1822. First Edition in dustjacket
McGill-Queen's University Press, Montreal / Kingston, 1994, ISBN:0773511814 
(BACK, George). HOUSTON, C.Stuart, (ed.). Arctic Artist: The Journal and Paintings of George Back, Midshipman with Franklin, 1819-1822. Montreal / Kingston : McGill-Queen's University Press, 1994. First Edition. Pp. (4),[v]-xxviii,[1]-403,(1), including plates (many of which are in colour). Maps in text. 4to, black cloth with gilt lettering to spine. Commentary by I.S. MacLaren. A handsome piece of book production. ""Arctic Artist" is the liveliest and most complete account of Sir John Franklin's tragic first expeditionto the Arctic. George Back's prose captures the drama of the journey, whil e his superb watercolour sketches reveal the beauty and wonder of this northern land. Published for the first time, this is the complete text of Back's journal. "Arctic Artist" completes Stuart Houston's trilogy of the journals of Franklin's officers, and isl is particularly valuable because it is the only one that records the entire expedition; Franklin himself relied on it for his own published account of the journey. Both the journal and Back's earlier notes have been edited by Houston, who provides an introduction and extensive annotations, as well as synopses of the frank comments regarding the expedition recorded in the various journals of the Hudson's Bay fur trade posts. I.S. MacLaren's commentary on Back's paintings reveals a midshipman-artist of exceptional talent. Conversant with the artistic conventions and aesthetic temper of his age, Back used his sketch-books not only to depict the expedition's progress but also to capture his imaginative response to the northern wilderness. MacLaren edits and comments on two other documents written by Back during the expedition: a candid letter to his brotherand a poem dramatizing the disaster that claimed the lives of eleven of th e twenty explorers in Franklin's party." - from the dj flap. Sections : 1. Stromness to York Factory; 2. York Factory to Cumberland House; 3. Cumberland House to Fort Carlton; 4. Fort Carlton to Fort Chipewyan; 5. Fort Chipewyan to Fort Enterprise; 6. To Point Lake and Return; 7. Fort Enterprise to Fort Chipewyan; 8. Fort Chipewyan to Fort Enterprise; 9. Preparations To Leave Fort Enterprise; 10. Descent of the Coppermine River; 11. Exploring theArctic Coastline; 12. Point Turnagain to Obstruction Rapids; 13. Obstructi on Rapids to Moose Deer Island; 14. Great Slave Lake to York Factory. Appendices : 1. George Back's Letter to His Brother Charles, 25 May 1820; 2. Back's Poem; 3. The Franklin Expedition as Recorded in Hudson's Bay Company Post Journals; 4. Back's Obituary in the Stockport Advertiser. With Notes andIndex. Very good in dustjacket. 45.00

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172 BACKHOUSE, Janet, D. H. TURNER and Leslie WEBSTER TURNER, D. H. WEBSTER, Leslie Golden Age of Anglo-Saxon Art 966-1066
British Museum Publications Limited, 1984, ISBN:0714105325 
BACKHOUSE, Janet, D. H. TURNER and Leslie WEBSTER. The Golden Age of Anglo-Saxon Art 966-1066. (L): British Museum Publications Limited, (1984). Pp. 216. Fully illustrated, including 32 coloured plates. Double column. 4to, tan ill. card covers. With contributions by Marion Archibald, Martin Biddle, Michael Borrie, Richard Gem, Catherine Haith, Simon Keynes, Dominic Tweedle and Jeffrey West. The accompanying catalogue for an exhibition of medieval art, published on the occasion of the millenium of the death of St Æthelwold, Bishop of Winchester, who died in 1984. Vg. 40.00

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173 BADIOU, Alain). DURING, Elie). BORJA-VILLEL, Manuel J. BLISTENE, Bernard. Theater Without Theater. Paperback.
Museu d'Art Contemporani / Fundacao de Arte Moderna a Contemporanea -, Barcelona and Lisbon, 2007, ISBN:9788489771505 
(BORJA-VILLEL, Manuel J.). A Theater Without Theater. (Barcelona and Lisbon): Museu d'Art Contemporani de Barcelona / Museu Colecção Berardo, Arte Moderna e Contemporanea, (2007). First Printing. Pp. (18),[19]-355,(13). Copiously illustrated. Large square 8vo, illustrated white and grey card covers,french flaps, red and black lettering to front cover and spine. "We begin with a double negation: 'A Theater without Theater' is neither a history ofthe theater nor a show of those artists who've designed stage sets. On the contrary, this exhibition examines the way in which the theatrical has alt ered our perception of the nature of the work of art and its position in the division of the visible. It is, in short, a reflection on how subjectivities and the place of the subject are shaped in the network of discourses and ideologies." - from Borja-Villel's foreword. Contents: Manuel J. Borja-Villel's "A Theater without Theater: The Place of the Subject"; "A Theatre ofOperations: A Discussion between Alain Badiou and Elie During"; Patricia F alguières's "Playground"; "What's Happening, Man? An interview with Jean-Jacques Lebel" by Bernard Blistène; Pedro G. Romero's "Actors, Situations, Outcomes: Theater Machine and Theater: Subaltern Stages in the Spanish State"; Bernard Blistène and Yann Chateigné's "Introduction to the Itinerary"; Blistène's "James Coleman. So Different... and Yet, 1980"; Marc Dachy's glossary; a chronology (1896-1989) by Anne Stenne. Very good. Due to its size, extra shipping charges may be necessary to cover postage costs on international orders. 125.00

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174 BADMIN, S.R.). BEETLES, Chris BEETLES, Chris. S.R. Badmin and the English Landscape. in dj.
Collins, 1985, 
(BADMIN, S.R.). BEETLES, Chris. S.R. Badmin and the English Landscape. (L): Collins, (1985). Pp 157. Oblong 8vo, brown cloth. Vg in nicked, tape-repaired dj. 40.00

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Nasreddine Dinet. 3rd ed. in dj , BAGHLI, Sid Ahmed TALEB-IBRAHIMI, Ahmed DINET, Nasreddine
175 BAGHLI, Sid Ahmed TALEB-IBRAHIMI, Ahmed DINET, Nasreddine Nasreddine Dinet. 3rd ed. in dj
Entreprise Nationale du Livre, Alger, 1984, 
BAGHLI, Sid Ahmed. Nasreddine Dinet : Un Maitre de la Peinture Algérienne. Préface du Dr Ahmed Taleb-Ibrahimi. Présentation et choix de commentaires [par] Sid Ahmed Baghli. Troisième Édition. Alger : Entreprise Nationale du Livre, (1984). Pp (124). Illustrated with tipped-in colour plates. 4to, maroon cloth. Text in French and Arabic. Vg-fine in dj. 65.00

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176 BAGLOLE, Harry, (ed). COUSINS, John Exploring Island History: A Guide to the Historical Resources of Prince Edward Island. pbk
Ragweed Press, Belfast, 1977, 
BAGLOLE, Harry, (ed). Exploring Island History : A Guide to the Historical Resources of Prince Edward Island. Belfast: Ragweed Press, Spring 1977. Pp (6),iii-xi,(1),[1]-310,(2). 8vo, beige and brown card covers. In three parts: I. Island History: Eight Basic Units. Baglole's "Beginning the Course" and "The Land Question"; Louis Pelliissier's "The Native People of Prince Edward Island"; Edmond Gallant's "The Island Acadians"; David Weale's "IslandSocial History" and "Confederation"; Wayne E. MacKinnon's "Island Politics and Government"; Frank Schwartz's "An Economic History of Prince Edward Is land". II. Island History: Some Additional Themes. Marlene-Russell Clark's "Women and the Island Heritage"; John Cousins' "Prince Edward Island Shipbuilding" and "Studying Prince Edward Island Folk Songs"; Leonard Cusack's "The Island Government and the Depression"; Allan Graham's "Island Literature"; Marven Moore's "The Island and the Reciprocity Treaty of 1854"; R. AllanRankin's "Fox Farming on Prince Edward Island"; Gary Webster's "Cooperatio n, Co-operatives, and Credit Unions: Their Place in Island History". III. Studying the Local Community. Janet Dale's "The Genealogical Sherlock on Prince Edward Island"; Robert F. Fellows' "Studying Island History through Photographs"; Mary Frederickson's "Field Trips are Important, and Possible, Too", "Learning in the Cemetery", and "Teaching with Artifacts"; Frank Gillan's "Natural History and the Local Community"; Harry Holman's "The Use and Abuse of Archives"; Ron Irving's "Dramatization of Historical Material"; Helan MacDonald's "So You Want to Use a Tape Recorder"; Wayne E. MacKinnon's "Class Historical Displays"; Alan Rayburn's "The Island's Geographical Names"; Irene L. Rogers' "An Approach to Island Architecture"; Doreen Smith's "Using Art to Teach Island History". Appendices: Wayne E. MacKinnon's "A Short History of Prince Edward Island"; William B. Hamilton's "Evaluation and the Island History Course". Also Birdie McKie's preliminary "Island History and the Home". Covers rubbed with sparse spotting to top edge, some spine creasing, else vg. 20.00

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177 BAILEY, Colin B. RENOIR, Pierre-Auguste Renoir's Portraits : Impressions of an Age
Yale University Press / National Gallery of Canada, New Haven / London / Ottawa, 1997, ISBN:0888846681 
BAILEY, Colin B., with the assistance of John B. COLLINS. Renoir's Portraits : Impressions of an Age. Essays by Colin B. Bailey, Linda Nochlin, and Anne Distel. New Haven & London : Yale University Press / Ottawa : National Gallery of Canada, (1997). Pp (8),ix-xiii,(1),1-384,(2). 4to, large paperback. Catalogue of an exhibition organized and circulated by the National Gallery of Canada. Held at the Gallery in Ottawa, 27 June - 14 September, 1997,The Art Institute of Chicago, 17 October - 4 January 1998, Kimbell Art Mus eum, Fort Worth, 8 February - 26 April 1998. Essays: Colin B. Bailey's "Portrait of the Artist as a Portrait Painter"; Linda Nochlin's "Impressionist Portraits and the Construction of Modern Identity"; and Anne Distel's "LéonClapisson: Patron and Collector". Appendices : I.Three Letters from Renoir to Paul Berard; II. The Notebooks of Léon Clapisson Very good. 25.00

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178 BAILEY, Alfred Goldsworthy New Brunswick Museum Special Publication No. 1 WEBSTER, John Clarence) John Clarence Webster Collection : An Address by Alfred Goldsworthy Bailey.Second Printing
New Brunswick Museum, Saint John, 1936, 
BAILEY, Alfred Goldsworthy. The John Clarence Webster Collection : An Address by Alfred Goldsworthy Bailey. Special Publication No.1. Saint John, N.B.: Publications of the New Brunswick Museum, 1936. Second Impression. Pp (2 ),[3]-15,(1),+ 3 plates. 8vo, cream coloured cardcovers. Very good. 15.00

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179 BAILEY, David). HARRISON, Martin. David Bailey : Birth of the Cool, 1957-1969. First Edition in dustjacket.
Viking Studio, New York, 1999, ISBN:0670888184 
(BAILEY, David). HARRISON, Martin. David Bailey : Birth of the Cool, 1957-1969. (New York): Viking Studio, (1999). First Printing. Pp. (12),[13]-273,(3). Illustrated with 313 photographs (257 in duotone, 56 in color). 4to, black cloth with silver lettering to spine. "No photographer had a greater impact on the 1960s than David Bailey. The best of the new breed of fashion photographers who catapulted onto the scene in the early years of the decade, he would capture the image of Swinging London and become as well known asall the famous faces on which he trained his camera. After Bailey, photogr aphy would never be the same again. 'David Bailey -- Birth of the Cool' tells for the first time the full story of Bailey's life and work from 1957 to1969. Beginning with his early days in London's East End, it follows his p rogress through his first photographic experiences as an assistant to John French; his early years with Vogue; his close relationships with the stars of the music scene -- which would produce pictures of the Beatles and the Rolling Stones that remain forever part of the iconography of the 1960s -- and his friendships and love affairs with some of the period's most beautiful women, among them the models Jean Shrimpton and Penelope Tree and the actress Catherine Deneuve." - from the dustjacket. Very good in clean, crisp, unclipped dustjacket. Due to the weight of this book -- nearly six pounds -- extra shipping charges will be necessary to cover postage on international orders. 60.00

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180 BAKER, Dawn BAKER, Dawn Newfoundland Alphabet. signed
Art Work Studio, 1998, ISBN:0968385001 
BAKER, Dawn. A Newfoundland Alphabet. (Gander, NF: Art Work Studio, 1998). Pp. [28], unpaginated. Illustrated by the author. Oblong 8vo, red ill. card covers. Wear to spine and edges, some creasing to the back cover, gift inscription to inside of front cover, else vg. Signed by the author on the title page. 7.00

Price: 7.00 CDN
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