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181 CLAYTON, Lucy MERRILL, Helen Architecture of Early Prince Edward Island Farmhouses
the Author, Hampton, PEI, 1961, 
CLAYTON, Lucy. Architecture of Early Prince Edward Island Farmhouses. [Hampton, PEI : the Author, 1961]. Pp (24). Illustrated with 42 b&w photos. 8vo,illustrated cream stapled card covers, lettered in black. "A great deal ha s been written concerning the history of Prince Edward Island, and much hasbeen related about the houses of historical interest. So, in this small bo oklet, the author has attempted to describe the farmhouses of the country-side, with no regards to their historical importance. Instead, she has placed the emphasis on their architectural differences. Material for this project seemed scarce. The auuior regrets tnere are so many loveiy places off thebeaten track track she was unable to photograph." (p. [1]). Lightly browne d, vertical crease, staples rusted, penned name, else very good, with the following penned note : "Published October 1961 by the author Helen Merrill (Mrs. F.A.) of Hampton PEI under nom-de-plume "Lucy Clayton"." 80.00

Price: 80.00 CDN
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182 CLERK, Nathalie Studies in Archaeology, Architecture and History) Palladian Style in Canadian Architecture
National Historic Parks and Sites Branch, Parks Canada, Environment Canada, Ottawa, 1984, ISBN:0660115301 
CLERK, Nathalie. Palladian Style in Canadian Architecture . (Ottawa) : National Historic Parks and Sites Branch, Parks Canada, Environment Canada, 1984. Pp. (1)-154,[2]. Illustrated. Double column. Large 8vo, illustrated white card covers. A volume in the Studies in Archaeology, Architecture and History series. "The Palladian style, which flourished in England from 1710 to1750, is based on rules established by Palladio, the great architect of th e Italian Renaissance. The outstanding elements of this style are projecting frontispieces, lateral wings, triangular pediments, Venetian windows, anddoors framed by pilasters and surmounted by semicircular transoms or small pediments. In Canada the buildings that most faithfully reflect Palladian principles are generally of a monumental or institutional nature, such as large Anglican churches, official residences and government buildings; domestic architecture features numerous adaptations of the style." - from rear cover. A history of the Palladian Style of architecture, and its implementaion into the construction of key Canadian buildings. Includes more than one hundred architectural examples (most of which are in Canada). Chapters : 1.The Palladian Movement in England - Palladio - Origins of the Movement - P ublications - Buildings; 2. Introduction of the Palladian Style into the Colony : Book - Military Architects - Immigration - François Ballairgé and Jérôme Demers; 3. Religious Architecture : Atlantic Provinces - Quebec; 4. Public Architecture; 5. Domestic Architecture: Ontario - Quebec - Atlantic Provinces. With Conclusion, end-notes and bibliography. Of Nova Scotia interest: pp.63-65, 70, 84, 89, 96-97, 131-135, 137-139, 142-143. Of New Brunswick interest: pp.66-68, 85-87, 136, 140-141, 143-144. Of Prince Edward Islandinterest: pp.88, 90, 99. Of Newfoundland interest: pp.93-94. Name, else ve ry good. 25.00

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183 CLINE, Eric H. (ed.). Oxford Handbook of the Bronze Age Aegean (ca. 3000 - 1000 BC). Second Printing in dustjacket
Oxford University Presss, Oxford, 2010, ISBN:9780195365504 
CLINE, Eric H., (ed.). The Oxford Handbook of the Bronze Age Aegean (ca. 3000 - 1000 BC). Oxford : Oxford University Press, 2010. Second Printing. Pp (6),[vii]-xxxiii,(5),[3]-930,(10). Illustrated. Maps. Index. 8vo, black cloth, silver lettering to spine. ADDITIONAL SHIPPING CHARGES WILL BE REQUIREDFOR ORDERS OUTSIDE CANADA DUE TO ITS WEIGHT. Very good in dustjacket. 140. 00 "The Greek Bronze Age, roughly 3000 to 1000 BC, witnessed the flourishing of the Minoan and Mycenean civilizations, the earliest expansion of tradein the Aegean and wider Mediterranean Sea, the development of artistic tec hniques in a variety of media, and the evolution of early Greek religious practices and mythology. The period also witnessed a violent conflict in Asia Minor between warring peoples in the region, a conflict commonly believedto be the historical basis for Homer's Trojan War. The Oxford Handbook of the Bronze Age Aegean provides a detailed survey of these fascinating aspects of the period, and many others, in sixty-six newly commissioned articles. Divided into four parts, the handbook begins with Background and Definitions, which contains articles establishing the discipline in its historical,geographical, and chronological settings and in its relation to other disc iplines. The second section, Chronology and Geography, contains articles examining the Bronze Age Aegean by chronological period (Early Bronze Age, Middle Bronze Age, Late Bronze Age). Each of the periods are further subdivided geographically, so that individual articles are concerned with Mainland Greece during the Early Bronze Age, Crete during the Early Bronze Age, the Cycladic Islands during the Early Bronze Age, and the same for the Middle Bronze Age, followed by the Late Bronze Age. The third section, Thematic andSpecific Topics, includes articles examining thematic topics that cannot b e done justice in a strictly chronological/geographical treatment, including religion, state and society, trade, warfare, pottery, writing, and burialcustoms, as well as specific events, such as the eruption of Santorini and the Trojan War. The fourth section, Specific Sites and Areas, contains art icles examining the most important regions and sites in the Bronze Age Aegean, including Mycenae, Tiryns, Pylos, Knossos, Kommos, Rhodes, the northernAegean, and the Uluburun shipwreck, as well as adjacent areas such as the Levant, Egypt, and the western Mediterranean. Containing new work by an international team of experts, The Oxford Handbook of the Bronze Age Aegean represents the most comprehensive, authoritative, and up-to-date single-volume survey of the field. It will be indispensable for scholars and advanced students alike." (from the dj). Contents : Part I: Background and Definitions. 1. History of Research, James D. Muhly. 2. Chronology and Terminology, Sturt W. Manning. Part II: Chronology and Geography. 3. Neolithic Antecedents, Peter Tomkins Early Bronze Age. 4. Mainland Greece, Jeannette Forsén. 5.Crete, Peter Tomkins and Ilse Schoep. 6. Cyclades, Colin Renfrew. Middle B ronze Age. 7. Mainland Greece, Sofia Voutsaki. 8. Crete, Ilse Schoep. 9. Cyclades, Robin L. N. Barber. Late Bronze Age. 10. Mainland Greece, Kim Shelton. 11. Crete, Erik Hallager. 12. Cyclades, Robin L. N. Barber. 13. End of the Bronze Age, Reinhard Jung. Part III: Thematic Topics. Art and Architecture. 14. Minoan Architecture, Louise Hitchcock. 15. Mycenaean Architecture,Louise Hitchcock. 16. Figurines, Ioulia Tzonou-Herbst. 17. Frescoes, Anne P. Chapin. Society and Culture. 18. State and Society, Dimitri Nakassis, Michael L. Galaty, and William A. Parkinson. 19. Minoan Religion, Susan Lupack. 20. Mycenaean Religion, Susan Lupack. 21. Death and Burial, Christopher Mee. 22. Trade, Bryan E. Burns. 23. Weapons and Warfare, Ioannis Georganas.Seals and Writing/Administrative Systems. 24. Minoan Seals and Sealings, J udith Weingarten. 25. Mycenaean Seals and Sealings, John G. Younger. 26. Cretan Hieroglyphic and Linear A, Helena Tomas. 27. Linear B, Thomas G. Palaima. 28. Cypro-Minoan, Nicolle Hirschfeld. Material Craf . 29. Materials andIndustries, Doniert G. Evely. 30. Minoan Pottery, Birgitta Hallager. 31. M ycenaean Pottery, Jeremy B. Rutter. 32. Textiles, Brendan Burke. 33. Jewellery, Robert Laffineur. Events . 34. Eruption of Thera/Santorini, Sturt W. Manning. 35. Trojan War, Trevor Bryce. 36. The Collapse at the End of the Bronze Age, Oliver Dickinson. Part IV: Specific Sites and Regions. Crete. 37.Ayia Triada Vincenzo La Rosa. 38. Kato Zakros Lefteris Platon. 39. Khania (Kydonia), Maria Andreadaki-Vlazaki. 40. Knossos, Colin Macdonald. 41. Kommos, Joseph and Maria Shaw. 42. Malia, Jan Driessen. 43. Palaikastro, J. Alexander MacGillivray and L. Hugh Sackett. 44. Phaistos, Vincenzo La Rosa. Mainland Greece. 45. Argolid, Sofia Voutsaki. 46. Boeotia, Anastasia Dakouri-Hild. 47. Central and Southern Peloponnese, William G. Cavanagh. 48. Northern Aegean, Stelios Andreou. 49. Lerna, Martha Wiencke. 50. Mycenae, Elizabeth French. 51. Pylos, Jack L. Davis. 52. Thebes, Anastasia Dakouri-Hild. 53. Thorikos, Robert Laffineur. 54. Tiryns, Joseph Maran. Cyclades, Dodecanese, and Saronic Islands. 55. Aegina Kolonna, Walter Gauss. 56. Akrotiri, Christos Doumas. 57. Dodecanese, Toula Marketou. 58. Rhodes, Toula Marketou. Wider Mediterranean. 59. Cape Gelidonya shipwreck, George F. Bass. 60. Cyprus, Louise Steel. 61. Egypt, Jacke Phillips. 62. Levant, Assaf Yasur-Landau.63. Troy, Peter Jablonka. 64. Uluburun shipwreck, Cemal Pulak. 65. Western Alan M. Greaves. 66. Western Mediterranean, Lucia Vagnetti. ADDITIONAL SHI PPING CHARGES WILL BE REQUIRED FOR ORDERS OUTSIDE CANADA DUE TO ITS WEIGHT.Very good in dustjacket. 140.00

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184 COAD, Jonathan G. Historic Architecture of the Royal Navy. in dj.
Gollancz, London, 1983, ISBN:0575032774 
COAD, J[onathan] G. Historic Architecture of the Royal Navy : An Introduction. Foreword by Admiral of The Fleet Lord Lewin. London: Victor Gollancz, 1983. First Printing. Pp. (5),6-160. Large 8vo, green cloth. "Historic Architecture of the Royal Navy concentrates on the period from 1700 to 1900, with particular emphasis on the dockyards built to service the sailing navy. ...With numerous illustrations featuring surviving buildings in Chatham, Sheerness, Portsmouth, Devonport, Harwich, Gibraltar, Minorca, Malta, Bermuda and Antigua [this] is a fascinating and important book." -from the dj. Contents: 1. Naval Bases; 2. Building and Maintaining the Fleet; 3. Manufacturing within the Dockyards; 4. Naval Warehouses; 5. Boundaries, Houses, Churches and Schools; 6. Provisioning the Fleet; 7. Arming the Warships; 8. NavalHospitals. Vg in unclipped dj. 40.00

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185 COLLIER, Donald. Fieldiana, 43. Cultural Chronology and Change as reflected in the Ceramics of the Viru Valley, Peru. Paperback.
Chicago Natural History Museum, Chicago, 1955, 
COLLIER, Donald. Cultural Chronology and Change as reflected in the Ceramics of the Viru Valley, Peru. Chicago : Published by Chicago Natural History Museum, December 16, 1955. Pp. (8),7-226,(4), + 1 folding chart. With illustrations to text. 8vo, printed grey card covers with dark blue lettering tofront cover and spine. Fieldiana: Anthropology, volume 43. "This report is based on the field work fo the Chicago Natural History Museum Expedition t o Peru in 1946. From June to December, archaeological investigations were made in Viru, a north coastal valley lying 46 kilometers south fo the city of Trujillo." - from the preface. Contents: 1. Introduction: Description of VIru Valley -- Archaeological Background -- Field Techniques -- Approach and Problems; 2. Sites and Excavations: Site V-108 -- Sit V-124 -- Site V-301-- Site V-304 -- Site V-305 -- Site V-171 -- Site V-167 -- Site V-310 -- S ite V-154 -- Site V-252 -- Site V-303 -- Site V-302 -- Site V-272 -- Site-V-306 -- Site V-307 -- Site V-308 -- Site V-309. 3. Architecture: Site V-252-- Site V-167 -- Site V-171 -- Site V-108 -- Site V-124. 4. Ceramic Analay sis: Classification -- Seriation of Refuse Ceramics -- Ceramic Trends -- Grave Pottery -- Mold-Made Pottery of the Late Epoch. 5. Conclusions: Certamic Trends and Cultural Change: Late GUanape Period -- Tomaval Period -- La Plata Period -- Estero Period -- Summary of the Late Epoch. With Appendices:I. Percentage Distribution of Sherds by Trench Level. II. Description of P ottery Types: Inca; Queneto Polished Plain; Tomaval Plain; Estero Plain; Rubia Plain; Viru Plain; La Plata Molded; San Juan Molded; San Nicolas Molded; Nino Stamped; Corral Incised; Las Lomas Cream; Purpur Red; Bitin White-on-Red; El Puente White-on-Red; Santa Elena White and Black-on-Red; Calunga Red and Black-on-White; Sausalito Black-on-White; Carranza Black-on-Orange; Tiahuanacoid; Castillo Plain; Gloria Polished Plain; Huancaco Decorated; Valle Plain; Huacapongo Polished Plain; Guanape Red Plain and Black Plain; Guanape Polished Red; Ancon Polished Black; Guanape Zoned Red; Guanape Modeled; Guanape Incised Rib; Guanape Punctate; Guanape Zoned Punctate; Fabric Impressed Sherd; Ancon Zoned Punctate; Ancon Fine-line Incised; Ancon Broad-line Incised; Ancon Rocker Stamped; Ancon Engraved; Guanape White-on-Red; Unclassified Sherd. III. Animal Bones from Refuse of the Late Epoch. IV. Plain Remains of the La Plata Period. V. A Classification of Willey's Burial Pots from V-142. With bibliography and index. Spine chipped with rubbing to spine lettering, else very good. 40.00

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186 COLLIER, Sargent F. Down East : Maine, Prince Edward Island, Nova Scotia and the Gaspé. First Edition
Houghton Mifflin Company, Boston , 1953, 
COLLIER, Sargent F. Down East : Maine, Prince Edward Island, Nova Scotia and the Gaspé. Boston : Houghton Mifflin Company, 1953. First Edition. Pp (16),1-148,(4). Illustrated. Map. Large 8vo, illustrated blue card covers. Haskell, Maine, A Bibliography of Its History 256. 152 photographs and text bySargent F. Collier. Chapters : 1. Camden: Where "the Maine" Begins; 2. Cas tine: Town History for the Tabloids; 3. Bar Harbor and Mount Desert Island;4. Aestheticism in Washington County: Adam Architecture; John Martin; 5. L ubec and Eastport: The Sardine Sea; 6. Pastoral Simplicity " That's Prince Edward Island; 7. Two Days Around Cape Breton; 8. Evangeline and Acadia; 9.Halifax: Cornwallis, the Duke of Kent and the Explosion; 10. Lunenburg and the Bluenose; 11. South Shore Gaspé: Baie des Chaleurs on Speedometer; 12. Percé, Peak of the Gaspé Tour; 13. North Shore Gaspé " Up Along the St.Law rence " More Miles and Tenths; 14. Quebec on the Rock. Rubbed, smudged, edges browned, else good. 12.50

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187 COLLINS, Louis W. Tour of Civilian Architecture : Halifax, Nova Scotia
Heritage Trust of Nova Scotia, Halifax , 1973, 
COLLINS, Louis W. A Tour of Civilian Architecture : Halifax, Nova Scotia. [Halifax] : Heritage Trust of Nova Scotia, n.d. [1970s?]. Pp (12). Folio [8.5 by 14 inch], stapled at top left corner, folded once into an 8vo size. Louis "Lou" William Collins (b. July 26, 1922 , Liverpool Street, Halifax – d. September 1, 2007, Halifax), noted educator, heritage conservationist, writer, bibliophile and historian. A descriptive tour of the architecture of downtown Halifax. Very good. 15.00

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188 COLLINS, Louis W. Halifax Landmarks Commission COLLINS, Lou Landmarks of the City of Halifax
Halifax Landmarks Commission, Halifax, 1971, 
COLLINS, Louis W. Landmarks of the City of Halifax. (Halifax) : Halifax Landmarks Commission, (1971). Pp (28). Illustrated. 8vo, illustrated mustard-yellow stapled card covers. Introduction by Louis W. Collins, Chairman, Halifax Landmarks Commission. Louis "Lou" William Collins (b. July 26, 1922 , Liverpool Street, Halifax – d. September 1, 2007, Halifax), noted educator, heritage conservationist, writer, bibliophile and historian. Includes photos and brief histories of Saint Paul's Church and Cemetery 1750 ; GovernmentHouse 1800; Staff Houses and Clock H.M.C. Dockyard c. 1816; Town Clock 180 3; Keith Hall 1863 and Brewery 1830; Admiralty House 1814; Province House 1811; Halifax Commons; Black-Binney House 1819; Old Court House 1862; LittleDutch Church and Graveyard 1756; Point Pleasant Park 1866; Henry House; Br unswick Street United Church 1834; Halifax Citadel and Citadel Hill; Historic Waterfront Buildings 1800-1860; Royal Artillery Park and its Landmarks 1797; Old Post Office 1863-1868; Saint George's Church 1800; Saint Mary's Basilica 1820-1824; Rotunda and Heart Shaped Pond, Prince's Lodge 1794-1800; Grand Parade 1749; The West House c. 1863-1869; Halifax Public Gardens 1867. Very good. 10.00

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189 COLLINS, Louis W. WAITE, P.B., foreword COLLINS, Pamela In Halifax Town : On Going for a Walk in Halifax, Nova Scotia.
1975, 
COLLINS, Louis W. In Halifax Town : On Going for a Walk in Halifax, Nova Scotia. Illustrations and Photographs by Pamela and Louis Collins. Halifax : Privately Printed, 1975. First Edition. Pp i-xviii,118. 8vo, light green cardcovers. Louis "Lou" William Collins (b. July 26, 1922 , Liverpool Street,Halifax – d. September 1, 2007, Halifax), noted educator, heritage conserv ationist, writer, bibliophile and historian. A thorough and informative guide by the late City Historian, with a foreword by P.B.Waite. Grand Parade, Citadel Hill, Royal Artillery Park, St. Paul's Church, Bollard House, Brunswick Street, Granville Street, Barrington Street, Water Street, Halifax Club, &c. Name, else very good. 15.00

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190 COLLINS, Louis W. WAITE, P.B., foreword COLLINS, Pamela In Halifax Town : On Going for a Walk in Halifax, Nova Scotia. ex-libris Collins
1975, 
COLLINS, Louis W. In Halifax Town : On Going for a Walk in Halifax, Nova Scotia. Illustrations and Photographs by Pamela and Louis Collins. Halifax : Privately Printed, 1975. First Edition. Pp i-xviii,118. 8vo, light green cardcovers. Louis "Lou" William Collins (b. July 26, 1922 , Liverpool Street,Halifax – d. September 1, 2007, Halifax), noted educator, heritage conserv ationist, writer, bibliophile and historian. A thorough and informative guide by the late City Historian, with a foreword by P.B.Waite. Grand Parade, Citadel Hill, Royal Artillery Park, St. Paul's Church, Bollard House, Brunswick Street, Granville Street, Barrington Street, Water Street, Halifax Club, &c. Vg. From Collins' collection (with namestamp to front). 15.00

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191 COLLINS, Louis W. WAITE, P.B., foreword. COLLINS, Pamela. In Halifax Town : On Going for a Walk in Halifax, Nova Scotia. signed
1975, 
COLLINS, Louis W. In Halifax Town : On Going for a Walk in Halifax, Nova Scotia. Illustrations and Photographs by Pamela and Louis Collins. Halifax : Privately Printed, 1975. First Edition. Pp i-xviii,118. 8vo, light green cardcovers. Louis "Lou" William Collins (b. July 26, 1922 , Liverpool Street,Halifax – d. September 1, 2007, Halifax), noted educator, heritage conserv ationist, writer, bibliophile and historian. A thorough and informative guide by the late City Historian, with a foreword by P.B.Waite. Grand Parade, Citadel Hill, Royal Artillery Park, St. Paul's Church, Bollard House, Brunswick Street, Granville Street, Barrington Street, Water Street, Halifax Club, &c. Very good. Signed by Collins on the title page. 17.50

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192 COLLINSON, Howard Creel Documenting Design : Works on Paper in the European Collection of the RoyalOntario Museum. in dustjacket
Royal Ontario Museum / University of Toronto Press, Toronto, 1993, ISBN:0802005578 
COLLINSON, Howard Creel. Documenting Design : Works on Paper in the European Collection of the Royal Ontario Museum. Toronto, Buffalo, London : Royal Ontario Museum / University of Toronto Press, (1993). Pp (6),vii-viii,(1),2-120. Illustrated. 4to, blue cloth, gilt lettering to spine. "To understandthe history of decorative arts and design it is necessary to study the way s in which designs are created and transmitted. Documenting Design seeks toshow how prints and drawings can demonstrate numerous aspects of the role of works on paper in the history of design. From early in the history of printmaking, prints were used to communicate designs both for specific objects and for ornamental patterns that could be applied to different kinds of objects, including architectural elements. A special category is the pattern- or model-book, intended to promote a particular style or approach to the design of furniture or decoration. Printed ornament sheets may also be self-contained works of art, unsuited to direct application to objects. Here, printed ornament becomes simply a genre of fine art, like landscape and portraiture, for example. This was especially so during the Rococo era. Countless buildings, rooms, objects, and decorative schemes - some of them famous in their day - no longer exist. Important design "events" such as festivities and ceremonies have often comprised great quantities of ephemeral architecture, decoration, and decorated objects. Such products of design can often only be studied in the prints and drawings that record their existence. Unlike prints, drawings can document and therefore present a unique insight into the process by which a designer develops and finalizes an idea. Drawings can also demonstrate the collaborative nature of the decorative arts: designers and makers were (and are) rarely identical. Many drawings have survived because they were contract drawings, meant to be shown to a potential customer or patron, and kept as a record of a transaction. Designs for metalwork were frequently drawn at full scale, both for maximum clarity and in order to create a vivid impression of the amounts of precious metal required. Since the 15th century, prints have been designed to be used as objects themselves, either in conjunction with other objects or as devices of communication. The variety of such works is vast; Documenting Design includes a theatre program, a menu design, and posters, among other types. Products ofgraphic design are often collected as documents of stylistic movements. Ex amples as various as Japonisme (late 19th century) and Psychedelic (1960s) are included. From Heinrich Aldegrever's jewel-like engraving Two Spoons and a Hunting Whistle of 1539 to Neo-Op Psychedelic Revival handbills of 1988, Documenting Design illuminates the importance of prints and drawings as documents of design history." (from the dj). Very good in dustjacket. 30.00

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193 COLQUHOUN, Alan. FRAMPTON, Kenneth, preface. Oppositions Books) Essays in Architectural Criticism : Modern Architecture and Historical Change
MIT Press, Cambridge, MA, 1986, ISBN:0262530635 
COLQUHOUN, Alan. Essays in Architectural Criticism : Modern Architecture and Historical Change. Preface by Kenneth Frampton. Cambridge, MA: published for the Graham Foundation for Advanced Studies in the Fine Arts, Chicago, Illinois, and The Institute for Architecture and Urban Studies, New York, New York, by The MIT Press, (1986). Fourth Printing. Pp. (8),1-215,(1). Illustrated in black and white. Square 8vo, illustrated orange card covers with white and black lettering to front cover and spine. A volume in the Oppositions Books series. Winner of the 1985 Architectural Critics Award. "Since the early 1950s, Alan Colquhoun's criticism and theory have acted as a conscience to a generation of architects. His rigor and conceptual clarity have consistently stimulated debate and have served as an impetus for the pursuit of new directions in both theory and practice. This collection of seventeen of his essays marks a watershed in the development of architectural thinking over the past three decades, comprising a virtual 'theory of Modernism' in architecture." -from the rear cover. Contents: 1. Modern Architecture and the Symbolic Dimension: The Modern Movement in Architecture -- Symbolicand Literal Aspects of Technology -- Formal and Functional Interactions; A Study of Two Late Buildings by Le Corbusier. 2. The Type and its Transform ations: Typology and Design Method -- Displacement of Concepts in Le Corbusier -- Rules, Realism, and History -- Alvar Aalto: Type versus Function. 3.Architecture and the City: The Superblock -- Centraal Beheer -- Plateau Be aubourg -- Frames to Frameworks. 4. History and the Architectural Sign: Historicism and the Limits of Semiology -- Sign and Substance: Reflections on Complexity, Las Vegas, and Oberlin -- E.H. Gombrich and the Hegelian Tradition -- The Beaux-Arts Plan -- The 'Bricolage' to Myth, or How to Put Humpty-Dumpty Together Again -- Form and Figure. Small teastain to rear cover, light spotting to top edge, else very good. 30.00

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Scottish Church Architecture.  First Edition in dustjacket, COLTART, J. S.
194 COLTART, J. S. Scottish Church Architecture. First Edition in dustjacket
Sheldon Press, 1936, 1936 
COLTART, J. S. Scottish Church Architecture. London : The Sheldon Press, (1936). First Edition. Pp. (4),v-xi,(1),1-264 + frontispiece. With more than eighty plates and line drawings. 8vo, red cloth, gilt lettering to spine.

A study of the architecture of Scottish churches from the twelfth to the eighteenth cenrtury.

Chapters :
1. [ The extent - Artistic ability - English influence - Poverty - Recovery - Destruction - Materials ] ;
2. Plans;
3. Scottish Romanesque and Gothic Architecture ;
4. Details of Scottish Gothic [ Pillars and arches- Buttresses - Doorways - Towers -Porches - Window tracery - Parapets - Niches and canopies ] ;
5. Further Details and Furnishings [ Sculpture - Monuments - Screens - Sedilia and piscinas - Sacrament Houses - Fonts - Bells - Woodwork - Glass - Sundials - Sculptured stones, and sepulchral slabs ] ;
6. Descriptions [South-west Scotland - South-east Scotland - East Scotland: South of the Forth - The West of Scotland - Mid-Scotland - East Scotland: North of the Forth - North-east Scotland - Orkney - The Western Isles - France ];
7. A Review.
With 4 indices.

Cloth lightly rubbed, bookplate to front paste-down, one page torn through, owner's name tidily inked to flyleaf, else very good in attractive unclipped dustjacket designed by Ogle (small chips to head and tail of spine, rear panel rubbed). 35.00

Price: 50.00 CDN
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195 COLVIN, Howard. Architecture and the After-Life.
Yale University Press, New Haven and London , 1991, ISBN:0300050984 
COLVIN, Howard. Architecture and the After-Life. New Haven and London : Yale University Press, 1991. First Edition. Pp [i]-xi,(1),1-418,(2). Illustrated. Index. Large 8vo, blue cloth, gilt lettering to spine. Contents : 1. Megaliths and Tumulus. 2. From Tumulus to Mausoleum. 3. The Mausoleum of Halicarnassus. 4. The Mausolea of the Roman Emperors. 5. The Romans and Their Monuments. 6. From Mausoleum to Martyrium. 7. Christian Burial and Medieval Church Architecture. 8. The Revival of the Architectural Tomb. 9. Chantriesand Funerary Churches in Medieval Europe. 10. The Family Chapel in Renaiss ance Italy. 11. Triumphal Tombs and the Counter-Reformation. 12. The Princely Burial Church in Catholic Europe. 13. The Family Chapel in Protestant England and Sweden. 14. The Return of the Mausoleum. 15. Funerary Architecture in the Eighteenth and Early Nineteenth Centuries. 16. The Triumph of the Cemetery. Fading to bottom edge of cloth, name, else very good in dustjacket. 65.00

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196 COMFORT, Judith Rediscover the Lighthouse Route : A Personal Guide to the South Shore of Nova Scotia
Nimbus Publishing, Halifax, 1995, ISBN:1551091062 
COMFORT, Judith. Rediscover the Lighthouse Route : A Personal Guide to the South Shore of Nova Scotia. (Halifax) : Nimbus Publishing, (1995). First Printing. Pp 142. Illustrated. Map. 8vo, blue card covers. "Nova Scotia's South Shore is a 200-mile coastal drive through one of the province's most historic regions, offering a mix of old-world charm and Maritime hospitality. Author Judith Comfort takes you on a personal tour of the South Shore, fromHalifax's York Redoubt, through Lunenburg, Liverpool, and Lockeport to Yar mouth's Cape Forchu. Join her as she wanders through villages and drives along coastal roads and experience the bracing salt air, marvelous views, delicious fare, and a rich and varied heritage that includes fishing, boat building, architecture, and crafts. Organized by county and complete with mapsand photos, this informative guide offers directions to sites and attracti ons, from beaches, parks, and lighthouses to local historic sites and natural phenomena. Visit this enchanting area again, or for the very first time,and let Rediscover the South Shore be your companion to exploration and ad venture." Arranged by county : Halifax County. Halifax Area; Halifax to Crystal Cresent Beach; Whites Lake to Upper Tantallon; Upper Tantallon to Hubbards. Lunenburg County. The Aspotogan Peninsula; Graves Island Provincial Park; East Chester; Chester; Mahone Bay; Mahone Bay to Indian Point; Second Peninsula; Lunenburg; Lunenburg to Blue Rocks; Lunenburg to Riverport; Bridgewater; Bridgewater LaHave River Ferry Loop; Bridgewater to Dublin Shore to Cherry Hill. Queens County. Port Medway to Liverpool Port Medway to Long Cove Liverpool to Milton-Mersey River Loop; Liverpool to Western Head Loop;White Point to South West Port Mouton. Shelburne County. Lockeport and Are a; Lockeport; Shelburne; The Islands Provincial Park; Barrington Passage Area; Cape Sable Island; Barrington to East Pubnico; East Pubnico to Barrington. Yarmouth County. West Pubnico to Arcadia;West Pubnico; Yarmouth; Yarmouth to Chebogue; Yarmouth to Cape Forchu. Very good. Due to its small size, shipping costs will be cheaper than quoted. 7.50

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197 Committee on Heritage Protection - Nova Scotia Heritage Protection in Nova Scotia : A Discussion Paper.
1979, 
(Committee on Heritage Protection). Heritage Protection in Nova Scotia : A Discussion Paper. (Halifax, N.S.) : Province of Nova Scotia, November 1979.Pp (12) leaves, printed one side only. Illustrated. 4to, black comb-bound, green card covers. A consultative paper on heritage legislation prepared b y the Committee on Heritage Protection. Penned name, else very good. 15.00

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198 CONNELL, Allison View of Woodstock : Historic Homes of the Nineteenth Century. 2nd ed.
New Ireland Press, Fredericton, NB, 1998, ISBN:1896775152 
CONNELL, Allison. A View of Woodstock : Historic Homes of the Nineteenth Century. (Fredericton, NB): New Ireland Press, (1998). Second Edition. Pp. (8),1-107,(1). Illustrated in black and white. Intermittently double and triple column. Oblong 8vo, illustrated grey card covers with white spine. Firstpublished in 1988, this volume chronicles the New Brunswick community's ar chitectural heritage. "During the course of the past ten years Woodstock has lost a number of the heritage buildings and features shown in the first edition. On the other hand, there are many signs of appropriate restoration.The pride and concern of residents is now the only means of preserving thi s unique legacy from the past." - from the rear cover. Some dampwrinkling to final couple leaves, front cover splayed. As is. 15.00

Price: 15.00 CDN
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199 Construction Magazine Construction. December 1908, February-July, October, August-September 1909.
H. Gagnier, Limited, Publishers, Toronto , 1909, 
(Construction Magazine). Construction. December 1908, February-July, October, August-September 1909. Toronto : H. Gagnier, Limited, Publishers, 1909. Various paginations. Text Illustrations. Double Column. 4to, black half-leather, red marbled paper covered boards, gilt lettering to spine. Contents :Modern Business Premises in London (by Hugh B. Philpott, Dec. Q908, pp 36- 47); New Addition to Chateau Frontenac (by Gustave Kahn, Feb. 1909, pp 48-55); Electrical Development Co.'s Power Plant [Niagara Falls] (Oct. 1909, pp46-51); and much more. ADDITIONAL SHIPPING CHARGES WILL APPLY DUE TO THIS VOLUME'S WEIGHT. Boards detached and partially re-attached with tape, spineand edges and corners worn, covers rubbed, overall a poor copy. As is. 30. 00

Price: 30.00 CDN
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200 Construction Magazine MYLREA, Thomas D. JOB, Robert McKENZIE, Bertram Stewart Construction. Vol. 11, Nos. 1-12, January-December, 1918.
H. Gagnier, Limited, Publishers, Toronto , 1918, 
(Construction Magazine). Construction. Vol. 11, Nos. 1-12, January-December, 1918. Toronto : H. Gagnier, Limited, Publishers, 1918. Pp [1]-412. Text Illustrations. Double Column. 4to, dark brown half-leather, maroon marbled paper covered boards, gilt lettering to spine. Sample of contents : Robt. Simpson Company's Mail Order Building (by Thomas D. Mylrea, pp 2-13); Vol. 11, No. 2 [issue on theatres]; The T. Eaton Company's New Factory, Toronto (pp 80-83); Vol. 11, No. 4 [issue on banks]; History and Properties of Paint (by Robt. Job, pp 149-152); Recent Domestic Work in Montreal District (pp 187-202); Vol. 11, No. 7 [issue on schools]; Underground Concrete Work in Winnipeg (by Bertram Stewart McKenzie, pp 283-285); Algonquin Hotel, St. Andrews, N.B. (pp 317-320, with 6 illustrations and one plan); and much more. ADDITIONAL SHIPPING CHARGES WILL APPLY DUE TO THIS VOLUME'S WEIGHT. Front cover detaching and tape-repaired at spine, wear to spine and corners, cloth rubbed and dusty, else internally good to very good. As is. 150.00

Price: 150.00 CDN
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