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181 BROWN, James W. Chiasma, 14). CAMUS, Albert). Sensing, Seeing, Saying in Camus' Noces : A Meditative Essay. Paperback.
Rodopi, Amsterdam/New York, 2004, ISBN:9042011653 
BROWN, James W. "Sensing", "Seeing", "Saying" in Camus' "Noces" : A Meditative Essay. Amsterdam/New York: Rodopi, (2004). First Printing. Pp. (8),[9]-118,(2). 8vo, photo-illustrated yellow card covers, green lettering to front cover and spine. Chiasma, number 14. "James Brown's study of Camus' 'Noces' explores the many crossovers from mind to text by recording the writer'sconsciousness as an emanation and the reader's consciousness as a receptio n-perception. Writer anD reaeder become one in this movement. Their shared mental space is analogous to the locus of the transmission of wisdom in many spiritual traditions. This book focuses on the textual and linguistic means through which the crossover takes place. Brown's new reading of Camus isan outgrowth of bare awareness meditation. He subjects a text that was int ended by Camus as a meditation to anotehr meditative consciousness, that ofthe reader-writer who comes to 'Noces' without ideological baggage. In thi s sense the reading process itself becomes an essay in the original meaningof the world: a trial, an attempt, an inquiry. Another origianl aspect of 'Sensing, Seeing, Saying' is the fact that the reading process doubles as non-directed meditative practice, for it does not attempt to interpret, judge, or evaluate the text in question but aims to engage it spiritually, to enter into its presence. As background to his reading the author uses vipashyana, or insight meditation, which derives directly from the Buddha's own experience and teaching." - from the rear cover. Light discolouration to edges of front cover, else very good. 35.00

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182 BRUBECK, Dave Perspectives, 15, Spring 1956) Jazz Perspective
Intercultural Publications Inc., New York, 1956, 
BRUBECK, Dave. "Jazz Perspective" . An article in Perspectives, Number 15, Spring 1956, pp. 21-28. NY: Intercultural Publishing, Inc., 1956. Pp. 224 + 22 p. of plates. 8vo, white and red card covers. A collection of articles on a variety of subjects, including two competing articles on jazz by Brubeck and Daniel Hoffman, a photography essay by Beaumont Newhart, a criticism of Emily Dickinson's works by John Crowe Ransom, poems by Yvor Winters, and essays by Robert McLaughlin, Selden Rodman, Arthur Mizener, J. F. Powers, Paul Tilich, Leslie Fiedler, B. F. Skinner, Robert Lowry, and F. W. Dupee. Spine creased, edges slightly browned, marking to front, else vg. For the issue. 20.00

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183 BRUCE, Harry. Page Fright : Foibles and Fetishes of Famous Writers.
McClelland & Stewart, Toronto, 2009, ISBN:9789771017124 
BRUCE, Harry. Page Fright : Foibles and Fetishes of Famous Writers. (Toronto) : McClelland & Stewart, (2009). First Printing. Pp (8),1-351,(1). Index.8vo, tan cloth, metallic red lettering to spine. William Harry Bruce (b. J uly 8, 1934, Toronto) Nova Scotian journalist and freelance writer. “It's no surprise that Mark Twain rejected the “new-fangled” type-writing machine.Writers have always been faithful to whatever worked for them, to whatever kept the words coming, filling the scary blank page or screen. The writing process is mysterious to them and the tricks they have used through the ag es have defied logic. But these tricks have provided the world with literature – and now, thanks to Harry Bruce, with this fascinating book.” - from the back cover. “Harry Bruce, a Torontonian by birth and Nova Scotian by ancestry and choice, worked for Ontario newspapers and magazines from 1955-to 1971 before moving to Nova Scotia. In addition to freelance journalism and writing books, he writes and edits, under contract, for the federal government and private industry.” - WFNS. Very good in unclipped dustjacket. 16.50

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184 BRUGGEN, Coosje van BALDESSARI, John John Baldessari. First Edition, paperback
Museum of Contemporary Art / Rizzoli, Los Angeles / New York, 1990, ISBN:0847811905 
BRUGGEN, Coosje van. John Baldessari. Los Angeles : Museum of Contemporary Art / New York : Rizzoli. First Edition. Pp (5),6-256. Illustrated. Index. Double Column. 4to, illustrated white card covers, lettered in blue, white and black. Contents : Foreword and Acknowledgments (by Richard Koshalek).; Interlude: Between Questions and Answers; But This Is Not the Moral of the Story...; The Art of Misleading Interpretation; Biographical Data (Compiledby David Platzker); Exhibition History; Bibliography; Checklist of the Exh ibition; Lenders to the Exhibition. ADDITIONAL SHIPPING CHARGES WILL BE REQUIRED FOR ORDERS OUTSIDE CANADA DUE TO ITS WEIGHT. Very good. 45.00

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185 BRYDON, Diana and Irena R. MAKARYK (eds.) MAKARYK, Irena R) SHAKESPEARE, William) Shakespeare in Canada: a world elsewhere?. in dj
University of Toronto Press, 2002, ISBN:0802036554 
BRYDON, Diana and Irena R. MAKARYK (eds.). Shakespeare in Canada: 'a world elsewhere'?. Toronto: University of Toronto Press, (2002). Pp. 490. With seven illustrations. 8vo, black cloth, red titles to spine. A study of Canada's long history with Shakespeare productions, including adaptations, literary reworkings and parodies. Includes a chapter by Peter Ayers entitles "Learning to Curse in Accurate Iambics: Shakespeare in Newfoundland". Also makes mention of Halifax productions of Shakespeare by the Sea. Vg in dj. 40.00

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186 BUCHANAN, Donald W. James Wilson Morrice : A Biography
Ryerson Press, Toronto, 1936, 
(MORRICE, James Wilson). BUCHANAN, Donald W. James Wilson Morrice : A Biography. Toronto : The Ryerson Press, (1936). Pp (2),[i]-viii,1-187,(3), frontis + 23 plates. Index. 8vo, cream printed card covers. Includes a 30 page Catalogue Raisonné. James Wilson Morrice (born in Montreal in 1865 - died inTunis in 1924) was a significant Canadian landscape painter. He studied at the Académie Julian in Paris, France, where he lived for most of his caree r. Covers rubbed, spine stained, else very good. 95.00

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The Growth of Canadian Painting. First Edition in dustjacket, BUCHANAN, Donald W. NEWTON, Eric
187 BUCHANAN, Donald W. NEWTON, Eric The Growth of Canadian Painting. First Edition in dustjacket
Collins, 1950, 1950 
BUCHANAN, Donald W. The Growth of Canadian Painting. With a Foreword by Eric Newton. With 16 reproductions in colour and 64 in monochrome. London / Toronto : Collins, (1950). First Printing. Pp (4),5-112,+ plates. Large 8vo, green cloth, gilt lettering to spine.

Watters p.911, Rhodenizer p.1001.

Donald William Buchanan (b. April 9 1908, Lethbridge, Albert - d. 1966, Ottawa) Canadian art historian and critic.

Name, light brown spotting to endpapers and edges, else very good in rubbed, chipped dustjacket. 75.00


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188 BUCHANAN, Mrs. Walter. Piggy. A Snorton Critical Edition. The Authoritative Text, Editorial paraphernalia, Letters by Buchanan, Criticism. Edited by Ursula Hogg-Reave.
Press Porképic, Galt (Ontario) , 1996, ISBN:0920897692 
BUCHANAN, Mrs. Walter. Piggy. A Snorton Critical Edition. The AuthoritativeText, Editorial paraphernalia, Letters by Buchanan, Criticism. Edited by U rsula Hogg-Reave. Galt (Ontario) : Press Porképic, 1996. Pp [i]-ix,(1),[1]-157,(1). Illustrated. 8vo, illustrated pink and white card covers. A humourous critical edition of the humourous poem Piggy. Contents : Foreword. The Authoritative Text of Piggy and Editorial Paraphrenalia (by Susan Bailey and D.M.R. Bentley) - Epigraph, Acknowledgements, Introduction, Piggy, Editorial Emendations, Explanatory Notes, Appendix: "Duckies." Glossary of Porcine Terms. Pigs and Piggery: a Pictorial Account. Letters of Buchanan - To Charles G.D. Roberts, October 1, 1907; To Charles G.D. Roberts, December 13, 1907; To Charles G.D. Roberts, January 4, 1908; To Charles G.D. Roberts, January 12, 1908; To Charles G.D. Roberts, February 10, 1908; To Charles G.D.Roberts, February 20, 1908; To Charles G.D. Roberts, April 1, 1908. Critic ism : REVIEWS: 1991 - Stephane Éscobigh · An Editorial Tortière. INTERIM APPRAISALS: 1991-1992 - W.J. Kouth · Piggy: A Survey of Current Scholarship; Rosemary Stuffing · This Pig Which is Not One. CANONIZATION: 1992-1993 - Robert Krouch · The Fear of Pigs in Early Canadian Poetry: An Erotics of Pork; Eric McCorker · The Invention of Piggy; "Was There a Pig in the Poem?": Ursula Gilt in Conversation with Julia Kristeva · Transcribed by Gerald Porker; Ronnée Gonflam · The Canadian Porkmodern: A Study of English and Canadian Poetry; Stan Fondle · The Small World of Piggy. CRITICISM OF A CLASSIC: 1993-1995 - Elizabeth Thompsow · Friends and Larders: The Farmer's Dilemma;I.S. MacLarden · "A Pig's a Pig for a' That": The Scottish Lineage of Pigg y; Jane Toskins · A New Philiological Approach to Mrs. Walter Buchanan's Piggy; Starling Mattress · The Struggle for Pork in Real Canadian Poetry: TheExample of Mrs. Buchanan. BIOGRAPHY - Séamus O'Toole · MMB: The Galway Yea rs. Gift inscription, else very good. Uncommon. 150.00

Price: 150.00 CDN
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189 BUCHLOH, Benjamin H.D., Serge GUILBAUT, and David SOLKIN (eds.). SEKULA, Allen GREENBERG, Clement CLARK, T.J. Modernism and Modernity : The Vancouver Conference Papers. 2004 Edition.
Press of the Nova Scotia College of Art and Design / NSCAD, Halifax, N.S., 2004, ISBN:0919616410 
BUCHLOH, Benjamin H.D., Serge GUILBAUT, and David SOLKIN (eds.). Modernism and Modernity : The Vancouver Conference Papers. 2004 Edition. (Halifax, N.S.) : The Press of the Nova Scotia College of Art and Design, (2004). Pp (2),[i]-[xvii],(1),1-280,(4). Illustrated. 8vo, illustrated blue card covers,French flaps. Contents : Henri Lefebvre's “ Modernity and Modernism”; “The ses on Modernism”; Marcelin Pleynet's “Modernism - Modernity and the Philosophy of History”; Paul Hayes Tucker's “Monet and the Bourgeois Dream: Argenteuil and the Modern Landscape”; Hollis Clayson's “Avant-Garde and Pompier Images of 19th Century French Prostitution: The Matter of Modernism, Modernity and Social Ideology”; John Wilson Foster's “Romantic Revival, ModernistPrescription: An Irish Case-Study”; Benjamin H. D. Buchloh's “Figures of A uthority, Ciphers of Regression”; Allen Sekula's “The Traffic in Photographs”; Clement Greenberg's “To Cope with Decadence”; T. J. Clark's “More on the Differences between Comrade Greenberg and Ourselves”; Nicole Dubreuil-Blondin's “Feminism and Modernism: Paradoxes”; Thomas Crow's “Modernism and Mass Culture in the Visual Arts.” Very good. 35.00

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190 BUCKLER, Ernest PELL, Barbara Portrait of the Artist : Ernest Buckler's The Mountain and the Valley.
ECW Press, Toronto, 1995, ISBN:1550221809 
(BUCKLER, Ernest). PELL, Barbara. A Portrait of the Artist : Ernest Buckler's The Mountain and the Valley. (Toronto) : ECW Press, (1995). Pp [1]-83,(1). Index. 8vo, illustrated tan card covers. Canadian Fiction Studies No. 31. Contents : A Note on the Author; Chronology; The Importance of the Work; Critical Reception; Reading of the Text : Introduction: The Mountain and the Valley; The Themes: Innocence to Experience; The Techniques: Circles on the Artist's Canvas; The Rug: "Where Was David?"; The Play: "The Shame of ... the Foolish Words"; The Letter: "The Complex Magic" of Words; The Valley:"Never... All Child Again”; The Rock: "Neither One Thing nor the Other"; T he Scar: "Only One Way to Possess Anything"; The Train: "The Train of Your Own Life Went By"; The Mountain: "The Greatest Writer in the Whole World"; Conclusion: The Valley and the Mountain. Corner crease, else very good. 10.00

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191 BUCKLER, Ernest). BISSELL, Claude. Ernest Buckler Remembered. First Edition in dustjacket.
University of Toronto Press, Toronto, 1989, ISBN:0802058140 1989 0802058140 / 9780802058140 
(BUCKLER, Ernest). BISSELL, Claude. Ernest Buckler Remembered. Toronto : University of Toronto Press, (1989). First Edition. Pp. (6),[vii]-ix,16 pages of b&w photos,(3),[3]-171,(3). 8vo (157 x 230 mm), black cloth with gilt lettering to spine.

Ernest Buckler, OC (b. July 19, 1908, West Dalhousie, Annapolis County, Nova Scotia – d. March 4, 1984, Bridgetown, Annapolis County, Nova Scotia).

Claude Thomas Bissell, CC FRSC (b. February 10, 1916, Meaford, Ontario – d. June 21, 2000).

"Claude Bissell first met Ernest Buckler in 1953. Holidaying with his family in Nova Scotia, Bissell dropped in on the novelsit to say how much he admired Buckler's recently published The Mountain and the Valley. That first afternoon was such a success that the Bissells returned to the Buckler house a few hours later. The formal atmosphere of afternoon tea was replaced by a lively, gin-laced evening, and a thirty-year friendship was begun.

In the early years it was fuelled mostly by letters and the Bissells' occasional visits to Nova Scotia. (Buckler hated to leave his home in the country at Centralea, near Bridgetown.) But in 1960 the Bissells bought a summer place in Cape Breton, and thereafter they were able to spend more time with Buckler every year. Nova Scotia is more than a background to this story. Buckler had a clear-eyed sensitivity to the landscape and human character of his native Annapolis Valley. It lay at the heart of his writing, and writing lay at the heart of his life.

Although Bissell focuses on Buckler the man, the book also includes passages of extended critical analysis of Buckler's work. It describes the long apprenticeship of the writer before his sudden emergence as a major figure in 1952 with the publication of 'The Mountain and the Valley'. Bissell shows how a central theme binds together the major books -- the memory of a childhood paradisal world that time could never corrupt.

Much of the conversation and correspondence between the two men was about literature. Buckler was widely read in the modern novel and loved to talk about his favourites. He had a hypersensitivity to the troubles of those close to him. Above all he had an indestructable sense of humour, which fed upon his eccentricities and the foibles of others. It was this sense of humour that enabled him to rise above continuous ill health and the course humanity was taking. A delight to his friends and a restorative to himself, the humour was at its richest and best in his letters.

Many letters are included in the book. Some are from writers who had admired Buckler's fiction, such as Margaret Laurence and Alice Munro. Others deal with his work as a critic for Esquire and the New York Times, among others, and record in unusually vivid language the emotions and efforts of a careful, imaginative author.

An intriguing man emerges from these documents and from Bissell's memories - warm and funny, and a bit of an eccentric. He had a sharp and ready with, with a passion for reading, and a love of good conversation. He also loved to laugh, but was subject to bouts of melancholy. These facets come together in the entertaining portrait of a man remembered by Canadians as a writer of uncommon insight and power, and by Claude Bissell as a friend." - from the dustjacket.

Preface;
1. Life with Ernest;
2. Apprenticeship;
3. Promise Fulfilled : The Mountain and the Valley';
4. Charting the Wasteland : The Cruelest Month;
5. Return to Paradise : Ox Bells and Fireflies;
6. Man of Letters;
7. Last Years.

With end-notes, bibliographical note, and index.

Very good in dustjacket. 30.00



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Coastlines 12 : Vol. 3, No. 4, Spring 1959, BUKOWSKI, Charles) SCOTT, Winfield Townley YATES, Peter
192 BUKOWSKI, Charles) SCOTT, Winfield Townley YATES, Peter Coastlines 12 : Vol. 3, No. 4, Spring 1959
Villiers Publications Ltd., London, 1959, 
(BUKOWSKI, Charles). Coastlines 12 : Vol. 3, No. 4, Spring 1959. London : Villiers Publications Ltd., 1959. Pp. 48. 8vo, stapled white card covers. Includes Dow Jones : Down by Charles Bukowski, three poems by Winfield TownlyScott entitled Four Old Boys, S Street and -Words to the End of the World. In addition, The Function of Criticism Reviewed, an article by Peter Yates . Front top corner slightly bent, some light browning to covers, else a very good copy. 60.00

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193 BURBANK, Jane. Intelligentsia and Revolution : Russian Views of Bolshevism, 1917-1922. First Edition in dustjacket.
Oxford University Press, New York and Oxford, 1986, ISBN:0195040619 
BURBANK, Jane. Intelligentsia and Revolution : Russian Views of Bolshevism,1917-1922. New York and Oxford : Oxford University Press, 1986. First Prin ting. Pp. (4),[v]-viii,(2),3-340,(4). 8vo, maroon cloth with gilt letteringto spine. "From the Bolshevik victory in 1917 to the consolidation of powe r five years later, the Russian revolution inspired a brilliant outburst oftheory and criticism among Russian intellectuals who struggled to comprehe nd their country's dramatic social upheaval. Faced with the collapse of themonarchy and disintegration of life as it had been, Marxists, monarchists, anarchists, populists, liberals, and nationalists alike contributed to a g rowing collection of critical and speculative thought. The October coup rekindled issues that had concerned the intelligentsia in the past -- issues that are still hotly debated today. Why had the revolution happened in Russia? Was this socialism? What did Bolshevik power mean for Russia and the Western world? How would the values of the Russian people be affected? In 'Intelligentsia and Revolution', Jane Burbank recovers these early responses tothe revolution, offering a multi-faceted image of the revolution seen from within. She surveys the vast body of unknown or forgotten polemical litera ture inspired by the Bolshevik takeover in 1917 and the ensuing social, political, and economic turmoil. From Kropotkin, the voice of Russian anarchism, to Ustrialov, a xenophobic nationalist, Burbank follows the disparate theories of these intellectuals, tracing their commitments and dilemmas through the turbulent years of civil war, and for many, into the Russian emigration. Her insightful analysis reveals how the revolution revitalized the political culture of the intelligentsia and, at the same time, exposed the fragile basis of its existence. An informative study of the Russian intelligentsia in its classic role as social critic and articulator of national ideals, 'Intelligentsia and Revolution' paints an important group portrait. it skillfully depicts a broad range of perspectives on the revolution during a crucial period when both action and inaction counted and when the tactical and institutional choices made by the intelligentsia were critical for the future." - from the dustjacket. Contents: 1. Revolutionaries in the Revolution: The Search for Democratic Socialism: Menshevik Prospects -- Iulii Martov: Principled Protest Against the Commissarocracy -- Menshevik Dissenters:Plekhanov, Potresov, Zasulich -- Pavel Axelrod: "A Dictatorship over the P roletariat" -- Martov's Battles. 2. Revolutionaries in the Revolution: Populist Perspectives: The Revival of Russian Populism -- Viktor Chernov: "The Dictatorship of the City over the Country" -- Mark Vishniak: ConstitutionalIllusions -- Petr Kropotkin: "How Communism Cannot be Introduced" -- Popul ism in Defeat. 3. Two Russian Liberals: Socialism on Trial: Principles and Goals -- P.N. Miliukov and Bolshevik Power -- Petr Struve: "The Experimental Refutation of Socialism" -- Struve: Searching for the Nation -- Miliukov:"The Birth of Russian Democracy" -- The Liberals and the People. 4. The Mo narchy in Fact and Fancy: The Autocratic Legacy -- F.V. Vinberg: "The Forces of Darkness" -- S.S. Ol'denburg: The Best Case for the Sovereign -- Monarchist Politics, 1921-1922 -- The Kingdom of Ideals. 5. A Different Culture:From the Depths: Nikolai Berdiaev: "The Peculiarity of Bitter Russian Fate " -- N.S. Trubetskoi: The Rebellion of the Despised -- N.V. Ustrialov: Changing Landmarks. 6. The Revolution and the Intelligentsia. With selected bibliography and index. Very good in lightly nicked dustjacket. 40.00

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194 BURGER, André Publications Romanes et Francaises CXLV Turold : Poète de la Fidélité. ex-library
Librairie Droz, Geneve, 1977, 
BURGER, André. Turold : Poète de la Fidélité : Essai d'explication de la Chanson de Roland. Genève : Librairie Droz, 1977. Pp 172. 8vo, card covers. Publications Romanes et Francaises CXLV. Ex-library, else vg. 35.00

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Novel Now : A Student's Guide to Contemporary Fiction.  First Edition in dustjacket, BURGESS, Anthony
195 BURGESS, Anthony Novel Now : A Student's Guide to Contemporary Fiction. First Edition in dustjacket
Faber & Faber, London , 1967, 
BURGESS, Anthony. The Novel Now : A Student's Guide to Contemporary Fiction. London : Faber & Faber, (1967). First Edition. Pp. 224. 8vo, red cloth, gilt titles to spine. "This survey (which is about the novel and the novel only) is not for the well-read reader who needs gaps - as in an otherwise perfect set of teeth - to be filled elegantly, nor for those who hunger aftercriticism in depth; it is for those, especially the young, who are startin g to take the art of the novel seriously and want to organize their readingeconomically." - from the dj. Faint shelf-wear to lower edges, else a nice copy in dustjacket. 100.00

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196 BURNET, John PLATO SOCRATES Greek Philosophy. Part I : Thales to Plato.
Macmillan and Co., London , 1928, 
BURNET, John. Greek Philosophy. Part I : Thales to Plato. London : Macmillan and Co., Limited, 1928. Fourth Printing. Pp (2),[i]-x,[1]-360,(4). Index.8vo, blue cloth, gilt lettering to spine. Contents : Part I – The World. 1 . The Ionians. 2. Pythagoras. 3. Herakleitos and Parmenides. 4. The Pluralists. 5. Eliatics and Pythagoreans. 6. Leukippos. Part II – Knowledge and Conduct. 7. The Sophists. 8. The Life of Sokrates. 9. The Philosophy of Sokrates. 10. The Trial and Deatth of Sokrates. 11. Demokritos. Part III – Plato. 12. Plato and the Academy. 13. Criticism. 14. Logic. 15. Politics. 16. The Philosophy of Numbers. 17. The Philosophy of Movement. George Parkin Grant (1918-1988) was a Canadian philosopher, teacher and political commentator, whose popular appeal peaked in the late 1960s and 1970s. He is best knownfor his nationalism, political conservatism, comments on technology, pacif ism, Christian faith, and conservative views regarding abortion and is credited as one of Canada's most original thinkers. Grant was a faculty member at Dalhousie University, Halifax, N.S., twice (1947-1960, 1980-1988). Waterdamage to bottom of both covers (with resulting warping and bubbling to cloth, and wrinkling to endpapers), else a good copy. With a gift inscription to George P. Grant. As is. 40.00

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197 BURNETT, Anne Pippin EURIPIDES Catastrophe Survived : Euripides' Plays of Mixed Reversal. 1st no dj.
Clarendon Press, Oxford, 1971, 
BURNETT, Anne Pippin. Catastrophe Survived : Euripides' Plays of Mixed Reversal . Oxford: Clarendon Press, 1971. First Printing. Pp. [i]-viii,(2),[1]-234. 8vo, navy blue cloth with gilt lettering to spine. Very slightly splayed, else vg. 35.00

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198 BURNETT, David COLVILLE, Alex, foreword Jeremy Smith
Kitchener-Waterloo Art Gallery & Dundurn Press, Toronto & Oxford, 1988, ISBN:1550020420 
BURNETT, David. Jeremy Smith. Wth a foreword by Alex Colville. Toronto & Oxford : The Kitchener-Waterloo Art Gallery & Dundurn Press, 1988. Pp (7),8-95,(1). Illustrated. 4to, illustrated salmon colour card covers, lettered inblue. "Jeremy Smith is a leader among the younger generation of Canadian r eaiist artists. Largely self-taught as an artist, Smith studied French and Philosophy at the University of Western Ontario. He began working as a professional artist in 1971. He now lives in Kitchener, Ontario. This book is the first to survey the achievements of this increasingly important Canadianartist." (from the back cover). Very good. 25.00

Price: 25.00 CDN
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199 BURNS, Robert KENNEDY, Howard Angus. Robert Burns in the Twentieth Century. An Address to the Burns Society of the City of New York, at the Annual Banquet, January 25, 1923.
Caledonian Publishing Company, New York , 1923, 
(BURNS, Robert). KENNEDY, Howard Angus. Robert Burns in the Twentieth Century. An Address to the Burns Society of the City of New York, at the Annual Banquet, January 25, 1923. New York : The Caledonian Publishing Company, MCMXXIII [1923]. Pp [1]-24. Slim 8vo, blue stapled card covers. Spine browned, corner creases, nick to top edge of front cover, else very good. Signed “With the author's greetings. H.A. Kennedy. The Aylmer (?), Ottawa.” 20.00

Price: 20.00 CDN
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200 BURNS, Robert KIRKWOOD, Kenneth P. Immortal Memory of Robert Burns.
Printed by Le Droit, Ottawa, 1958, 
(BURNS, Robert). KIRKWOOD, Kenneth P. The Immortal Memory of Robert Burns. (Ottawa : Printed by Le Droit, 1958). Pp (8),[1]-66,(2). 8vo, white card covers, black lettering to front cover, blank spine. Kenneth Porter Kirkwood,(b. April 14, 1899 - d. 1968) a diplomat based in Ottawa, Ontario. This ed ition is limited to 200 privately-printed copies. Very good. Signed by theauthor. 40.00

Price: 40.00 CDN
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