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21 ADAMSON, Jeremy McPHERSON, Hugo, preface. Hart House Collection of Canadian Paintings. First Paperback.
Art Committee of Hart House/University of Toronto Press, Toronto, 1969, ISBN:0802040225 
ADAMSON, Jeremy. The Hart House Collection of Canadian Paintings. [Forewordby Hugo McPherson]. (Toronto): Published in Association with the Art Commi ttee of Hart House by University of Toronto Press, (1969). First Paperback Printing. Pp. (5),6-120. Illustrated (a few of which are in colour). Oblong8vo, decorated white card covers with gold titles to front and black title s to spine. Covers lightly rubbed, else very good. 15.00

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22 ADAMSON, Jeremy McPHERSON, Hugo, preface. Hart House Collection of Canadian Paintings. no dj.
Art Committee of Hart House/University of Toronto Press, 1969, 
ADAMSON, Jeremy. The Hart House Collection of Canadian Paintings. (Toronto): Published in Association with the Art Committee of Hart House by University of Toronto Press, (1969). Pp 120. Oblong 8vo, dewc. black cloth. Front inner hinge starting, very slightly rubbed, else vg. 35.00

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23 African Art) Bollingen Series XXXII RADIN, Paul (ed.) MARVEL, Elinore African Folktales & Sculpture : Folktales selected and edited by Paul Radinwith the collaboration of Elinore Marvel. 2nd ed 2nd pr
Pantheon Books, 1966, 
(African Art). African Folktales & Sculpture. Folktales selected and editedby Paul Radin with the collaboration of Elinore Marvel. (New York) : Panth eon Books, (October, 1966). Pp. 357. Frontis + one folding map + 187 black & white plates at rear. 4to, off-white cloth covered boards with small giltand black decoration to front, black cloth spine, gilt lettering, top edge orange. Bollingen Series XXXII. ""This volume offers a representative coll ection of native African myths and folktales accompanied by selected examples of the plastic art stemming from the same culture. In assembling these narratives from the unwritten literature of this area, Dr. Radin has drawn upon the so-called true Negro tribes of west Agfrica, the Bantu-speaking tribes of central, east, and south Africa, the half-Hamites of the Nile headwaters, and the Bushmen and Hottentots of the extreme south and south-west. Dr. Radin emphasizes that theirs is possibly the most sophisticated of all aboriginal literatures, though it has not become so well known as the sculpture of native Africa, which during the past fifty years has so strongly influenced the art of the contemporary western world." Faint orange smudge to front cloth, else vg. 70.00

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24 Africville) SAUNDERS, Charles PACHAI, Bridglal CLAIRMONT, Don Africville: A Spirit That Lives On
Mount Saint Vincent University Art Gallery, Halifax, 1989, 
(Africville). Africville: A Spirit That Lives On. With an introduction by Charles R. Saunders, and essays by Bridglal Pachai and Don Clairmont. Acknowledgements by Irvine Carvery and Mary Sparling. (Halifax : Mount Saint Vincent University Art Gallery, 1989). Pp 1-24. Illustrated (including a two-page map). Triple column. Oblong 8vo, illustrated stapled blue card covers with red and black lettering to front. Contents: A Visit to Africville, Summer 1959; Relocation and Its Aftermath: A Journey Behind the Headlines, 1960-1988; Saunders's "Africville Revisited, Summer 1989"; Pachai's "Before Africville: The Black Presence in Nova Scotia"; Clairmont's "Africville: An Overview". Some wear to spine, name verso front cover, else very good. Uncommon. Due to its small size shipping costs should be cheaper than quoted. 15.00

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25 AGRICOLA, Johann Friedrich BAIRD, Julianne C. , (ed.) Introduction to the Art of Singing by Johann Friedrich Agricola. First Edition in dustjacket.
Cambridge University Press, Cambridge, 1995, ISBN:052145428X 
AGRICOLA, Johann Friedrich. Introduction to the Art of Singing by Johann Friedrich Agricola. Translated and edited by Julianne C. Baird. (Cambridge) :Cambridge University Press, (1995). First Edition. Pp (8),ix,(1),1-298. 8v o, green cloth, silver lettering to spine. In the Cambridge Musical Texts and Monographs series. "Johann Friedric Agricola published his Introduction to the Art of Singing in Germany in 1757. It brought to a German readerships the 1723 treatise of the Italian singing teacher and castrato, Tosi, to which Agricola added his own running commentary. The Introduction was recognized as invaluable not only for teachers and their pupils but also for advanced singers and professionals. Charles Burney, for example, described it as 'the best book on the subject in German' and hailed the author as 'the best singing master in Germany.' This present edition, translated with introduction and annotations by the celebrated singer Julianne Baird, makes Agricola's work available for the first time in English. Tosi's work was the first basic treatise on singing: it codified important aesthetic principles and gave practical directions for the singers of his time. Agricola, a pupil of J.S. Bach, addressed the style of singing at the court of Frederick the Great, and brought Tosi's work up-to-date. His commentaries are so extensive that the Introduction stands on its own as an important document in the history of performance practice." Very good in dustjacket. 45.00

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26 AHLGREN, Sven MUNOZ, Adriana STILBORG, Ole LEIFSEN, Esben Past and Present in Andean Prehistory and Early History. Proceedings of a Workshop held at the Etnografiska Museet, Göteborg, Sweden September 16-17 1996.
1998, ISBN:9187484099 
AHLGREN, Sven, Adriana Muñoz, Susanna Sjödin, & Per Stenborg, (eds). Past and Present in Andean Prehistory and Early History : Proceedings of a Workshop held at the Etnografiska Museet, Göteborg, Sweden September 16-17 1996. Goteborg : (Etnografiska Museet), 1998. Pp (4),[5]-263,(9). Illustrated. Graphs, tables. 8vo, yellow cardcovers and a brown dustjacket. Etnologiska Studier / Ethnological Studies 42. Contents : Incarracay, an lnka Administrative Centre in the Cochabamba Valley. Bolivia (by Janos Gyarmati and Andras Varga); Archaeological Explorations in Eastern Bolivia: The Samaipata Project (by Albert Meyers and Cornelius Ulbert); Clay Pots and Potters' Work: Archaeology and Ethno-archaeology at Pichao in North-western Argentina (by Susana Sjodin); The Documentation of Bolivian Rock Art (by Kristin Parknert and Ann-Charlotte Larsson); Territorio, ritos y mitos en el Formativo del noroesteargentino: Un caso de estudio entre el 500 a 800 d.C. (by Martha Ortiz Malmierca); The Troublesome Xenogamy between Archaeology and Ethnohistory: Examples from Research on North-western Argentinian Prehistory and Early History (by Per Stenborg); The Santa Maria Culture - Myth or Reality? (by Per Cornell and Nils Johansson); Centres and Peripheries in the Andes: A World Systems Approach (by Atf Hornborg); The Concept of Time-Space in Quechua: Some Considerations (by Lisbet Bengtsson); Asia - Ancon - Huari: Areas deinteraccion o nudos de transicion? El rol de los tratantes (by Anna-Britta Hellbom); La metalurgia precolombina como expresion cultural y semantica ( by Maria Rosario Vazquez); Cazadores y pastores tempranos de la Puna Argentina (by Daniel E. livera); Interdisciplinary Research of the Cultural and BiologicalDiversity of the Andean Rain Forests (by Inge Schjellerup); Histories of Mobilities, Strategies of Independence: An Example from the NorthernAndes(by Esben Leifsen); Forms of Organization in the Andean Rural Areas, Past and Present (by Bibeke Andersson); AlgunosPbjetos del Noroeste Argentino en el Museo Etnografico de Goteborg, Siecia (by Adriana Munoz); Ceramology: Geting Closer to the Potters and their World (by Ole Stilborg). Some artices in English and some in Spanish. Ex-library (spine label, inkstamp), else very good. With tipped in errata slip. 65.00

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27 AIDE, William Starting from Porcupine
Oberon Press, 1996, ISBN:0778010473 
AIDE, William. Starting from Porcupine. [N.pl.]: Oberon Press, (1996). Pp. (4),5-121,(7). 8vo, illustrated black card covers with white spine, black titles to spine. "William Aide is widely known as a solo pianist -- Chopin and Liszt are specialties. Here he writes about music and the life that informs it, about family, friends and fellow-musicians, about Alberto Guerrero,Glenn Gould, Margaret Avison, Tomson Highway. He writes too about the love of art and the ravages of depression. He even tells you how to play Respig hi with an empty cigarette package. This is a story told with sensitivity and infectious enthusiasm."- from the rear cover. Very good. 25.00

Price: 25.00 CDN
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28 AITKEN, Alex. Sarah Ballenden. First Edition, paperback, signed.
Artful Codger Press, Kingston, 2003, ISBN:096828258x 
AITKEN, Alex. Sarah Ballenden. A novel. Kingston, Ontario, Canada : The Artful Codger Press, (2003). First Printing. Pp. (5),6-239,(1). 8vo, art-illustrated cream card covers wtih green lettering to front cover, green and black lettering to spine. A novel by the Scottish-born, Ontario-residing author and historian. "No one could deny that Sarah Ballenden was beautiful. Northat she was elegant and charming. And as the wife of Chief Factor John Ba llenden, she was at the very pinnacle of society in the Hudson's Bay Company. She was the chatelaine, the mistress of the officers' mess at Upper FortGarry in Rupert's Land in the mid-19th Century. And she was native-born. B ut to some of the European ladies at the post it was an intolerable situation that couldn't be allowed to continue. SHe would have to be brought down.And when Sarah Ballenden became all too familiar with the handsome Irish C aptain of Militia, the ladies saw their opportunity." - from rear. Very good. Signed with inscription (though the name to whom it was inscribed has been whited-out) by Aitken on the title page. 15.00

Price: 15.00 CDN
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29 AKABOSHI, Goro and Heiichiro NAKAMARU NAKAMARU, Heiichiro SILLA, June, trans. Five Centuries of Korean Cermaics : Pottery and Porcelain of the Yi Dynasty. 1st english ed in dj.
Weatherhill/Tankosha, New York, 1975, ISBN:0834815141 
AKABOSHI, Goro and Heiichiro NAKAMARU. Five Centuries of Korean Cermaics : Pottery and Porcelain of the Yi Dynasty . Translated by June Silla. New York: Weatherhill/Tankosha, (1975). First English Edition. Pp. [1]-159,(1), including plates. Illustrated in black and white. 8vo, olive-green cloth spine with decorated cream paper covered boards, gilt lettering to spine. Top edge spotted, else vg in nicked, unclipped dj. 50.00

Price: 50.00 CDN
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30 ALBARDA, Johan Willem Draw How You See : Some Tools of Form for the Visual Artist
J. W. Albarda, Kemble, Ontario, 1991, 
ALBARDA, Johan Willem. Draw How You See : Some Tools of Form for the VisualArtist. Kemble, Ontario : J. W. Albarda, 1991. Pp (4),1-33,(3). Illustrate d. 8vo, maroon cloth, white lettering to front board, spine blank. Contents: A. Introduction. B. The Language of Vision: 1. Sight. 2. Parallax. 3. Lo cation. C. Three Shapes. D. Substance. E. Tools for Form: 1. Aerial Perspective. 2. Impingent Line. 3. The Art of Linear Perspective. 4. War-Cold Hue.5. Differential Focus. F. Conclusion. Very good. 25.00

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31 ALBERS, Joseph ALBERS, Josef Joseph Albers at the Metropolitan Museum of Art : An exhibition of his paintings and prints
Metropolitan Museum of Art, New York, 1971, 
(ALBERS, Joseph). Joseph Albers at the Metropolitan Museum of Art : An exhibition of his paintings and prints. New York : The Metropolitan Museum of Art, 1971. Pp (76). Illustrated. Large square 8vo, white card covers. Josef Albers (b .March 19, 1888, Bottrop, Westphalia, Germany - d. March 25, 1976, New Haven, Connecticut). Contents : Introduction; The Exhibition : Paintings, Prints; Biography; Principal One-man Exhibitions; Exhibition Catalogues; Graphic Portfolios; Writings by the Artist; Writings about the Artist. Lightly browned, penned name, offsetting from newspaper clipping laid in, else very good. 30.00

Price: 30.00 CDN
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32 Alberta - Provincial Museum]. Creative Tradition : Indian Handicrafts and Tourist Art. A travelling exhibition from the collections of the Provincial Museum of Alberta.
Alberta Culture, Provincial Museum of Alberta, Edmonton, 1982, 
(Alberta – Provincial Museum). The Creative Tradition : Indian Handicrafts and Tourist Art. A travelling exhibition from the collections of the Provincial Museum of Alberta. Funded by the National Museums of Canada. (Edmonton: Alberta Culture, Provincial Museum of Alberta, 1982). Pp (2),[1]-67,(3). Illustrated with 11 full-colour reproductions, and several smaller black-a nd-white illustrations. 4to, illustrated black card covers, white letteringto front cover, blank spine. Foreword by Mary J. LeMessurier. "The exhibit ion [...] documents changes which occurred in the material culture of western Canadian Indians in the post-Euorpean contact period. These changes reveal much about the nture of Indian-European interactions in this period. Thehistorical perspective of the study provides vital keys to the understandi ng and appreciation of contemporary Indian culture." - from the foreword. Name, else very good. Due to its relatively small size, shipping costs should be a bit cheaper than quoted. 35.00

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33 Alberta Air Show) Alberta Airshow : aviation nostalgia : Sunday, July 3, 1977.
1977, 
(Alberta Air Show). The Alberta Airshow : aviation nostalgia : Sunday, July3, 1977. N.pl.: n.pub., 1977. Pp (48) unpaginated. Illustrated. Large 8vo, illustrated blue stapled card covers, lettered in black and white. The pro gramme for the show, Contents : Alberta Arrows; Skyhawks; The Vulcan B MK2 Dragonflies; Supersonic; Surveillance; Training; CFB Cold Lake; Search; Helicopters; Transport; United States Air Force; Canadian Reds; Western Warbirds; Art Scholl; Joann Osterud; Al Pietsch; Ground Displays; 434 Squadron. Very good. 15.00

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34 ALCOTT, Ron. RICHARDSON, Arleigh D. STEWART, Dick, foreword. Building Classic Salmon Flies. First Edition in dustjacket.
Nimbus, Halifax, 1995, ISBN:1551091380 
ALCOTT, Ron. Building Classic Salmon Flies. Foreword by Dick Stewart. Edited by Arleigh D. Richardson III. Photographs by the author. Halifax: Nimbus Publishing Ltd., (1995). First Printing. Pp. (6),7-197,(1). Illustrated in black and white. Large 8vo, navy blue cloth with gilt lettering to spine. "In a book that will be welcomed by both experienced salmon fly tyers and fly-tyers who have not yet built a classic salmon fly, master fly-tyer Ron Alcott explains how to build these brilliant flies, which more than any others have risen to the status of an art form. A student of the nineteenth- andearly-twentieth-century writers on salmon flies, Alcott demystifies for to day's readers the often confusing information and instructions in those historic texts and offers extensive advice for contemporary tyers." -- from dust jacket. Very good in price-clipped dust jacket. 25.00

Price: 25.00 CDN
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35 ALDARONDO, Etiony, (ed.). Advancing Social Justice Through Clinical Practice
Lawrence Erlbaum Associates, Mahwah, NJ, 2007, ISBN:0471901555 
ALDARONDO, Etiony, (ed.). Advancing Social Justice Through Clinical Practice. Mahwah, New Jersey & London : John Lawrence Erlbaum Associates, (2007). Second Printing. Pp [(4),v]-xxiv,(2),3-496. Large 8vo, white cardcovers. "There is a healthy development in the human service professions these days. At community clinics, private practices, and universities around the country mental health professionals and service providers are working with increased awareness of the toxic effects of social inequities in the lives of people they aim to help. Quietly, by acting out their beliefs on justice and equality, clinicians are redressing the balance between professing our craftas clinicians and professing our humanity as citizens. Advancing Social Ju stice Through Clinical Practice is a comprehensive volume that bridges the gap between the psychosocial realities of clients and the dominant clinicalpractices. It offers an array of conceptual and practical innovations to a ddress both individual suffering and social inequities fueling this suffering. This is an empowering tool and a must read for mental health professionals. The accessible writing style also makes it ideal for teachers and students in the field. The book opens with a discussion of the historical, ethical, and experiential foundations for the development of social justice-based practice. Parts II and III present conceptual frameworks, strategies, and techniques used by social justice oriented practitioners. The final section discusses various ways to develop the skills and competencies required of mental health professionals aspiring to be both agents of individual and social transformation. Filled with hope, critical analysis, and uncommon clinical wisdom, this is a book like no other in the field." Foreword; Preface; Part I.: Steps Toward A Social Justice Therapeutic Practice. 1. Rekindling the Reformist Spirit in the Mental Health Professions (by Etiony Aldarondo); Social Justice Legacies in the Mental Health Professions; Social Work;Psychoanalysis; Counseling Professions; Psychiatry; Family Therapy; Toward an Open Conspiracy for Social Justice; References; 2. Counseling for Welln ess and Justice: Foundations and Ethical Dilemmas (by Isaac Prilleltensky [and others); Foundations. Webs of Personal, Relational, and Collective WellnessWebs of Wellness and Justice; Practice and Ethical Dilemmas; Current Practices; Justice-Based Practices; Conclusion; References; 3. Social JusticeConcerns and Clinical Practice (by Lane A. Gerber); Early Memories; Histor ical Context and Early Barriers; First Lessons and More Barriers; Lessons From Survivors; Hearing Each Other's Cry; Hearing the Cry: A Second Story; Why Do We Do This Work?; Lessons From Training: What I Learned; How I Learned; How Students and Faculty Responded; What Happened to the Student; To Life: Why We Do This Work; References. Part II.: Liberating Visions Of Clinical Practice. 4 Radical Psychiatry (by Beth Roy);: An Approach to Personal and Political Change (by ; In the Spirit of the Times; Where Society and Psyche Intersect; Alienation and Change, Social and Personal; The Cooperation Theory; Power; Internalized Oppression: ""The Pig""; Problem-Solving Group; Fighting the Pig; Conflict Resolution; Paranoia: The Value of Intuition; Implications for Social Justice; But What About ...?; The Current State of the Art; References; 5. Ethnopolitical Psychology: Healing and Transformation(by Lillian Comas-Diaz). Ethnopolitical Theory and Practice: Conceptual In fluencesColonization; Postcolonization Stress Disorder; Cultural Imperialism; Ethnocultural Allodynia; Racism; Thinking Racially; Racial Trauma; Racial Terrorism; Communal Consequences of Racial Terrorism; Ethnopolitical Practice: Accompanying and Bearing Witness; Indigenous Healing: Calling Back the Spirit; Dichos: An Ethnic Psychology; Testimony; Cultural Consciousness; Ethnopolitical Action; References; 6. Gay and Lesbian Couples in Therapy: ASocial Justice Perspective (by Robert-Jay Green); Focus of This Chapter; H omophobia and the Cultural Context. Prejudice and DiscriminationEffects of Prejudice on Lesbian/Gay Couples; Interventions for Countering Homophobia; Relational Ambiguity; Boundary and Commitment Ambiguity; Ambiguity Related to Same-Gender Composition; Interventions for Relational Ambiguity; Social Support; Families of Origin; Families of Choice; Assessing and Developing Social Support; Therapist; Guarding Against Heterocentric Bias-Countertransference; Cautions About Applying Theory to Same-Sex Couples; Same-Sex Marriage and Social Justice; References. 7. Risk Reduction and the Micropolitics of Social Justice in Mental Health Care (by Marcelo G. Pakman); Foundation concepts for social justice-based therapy : critical consciousness, accountability, and empowerment (by Rhea Almeida, Ken Dolan-Del Vecchio, Lyn Parker); Narrative practice and culture (by Hugo Kamya); Families and therapistsas citizens : the families and democracy project (by William J. Doherty, J ason S. Carroll); The practice of community family therapy (by Ramon Rojano); Applying feminist theory to community practice : a multilevel empowerment intervention for low-income women with depression (by Lisa A. Goodman [and others]); Toward a community psychology of liberation (by Julia L. Perilla, Evelyn Lavizzo, Gladys Ibanez); Striving for social justice through interprofessional university-school collaboration (by Maureen E. Kenny, Elizabeth Sparks, Janice Jackson); The psychology of working and the advancement of social justice (by David L. Blustein [and others]); Mental health policy and social justice (by Barry J. Ackerson, Wynne S. Korr); Advocacy, outreach, and prevention : integrating social action roles in professional training (by Elizabeth M. Vera, Suzette L. Speight); Toward an emancipatory communitarian approach to the practice of psychology training (by Benedict T. McWhirter, Ellen Hawley McWhirter); Grounding clinical training and supervision in an empowerment model (by Ellen Hawley McWhirter, Benedict T. McWhirter); 20. Applying principles of multicultural competencies, social justice, and leadership in training and supervision ( by Patricia Arredondo, Daniel C. Rosen); 21. Educating for social change in the human service professions (by Linda C. Reeser). With index.. Very good. 40.00

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Ancient Egypt in the Metropolitan Museum Journal. 2nd US in dj , ALDRED, Cyril, et al
36 ALDRED, Cyril, et al Ancient Egypt in the Metropolitan Museum Journal. 2nd US in dj
Metropolitan Museum of Art, 1983, 
ALDRED, Cyril, et al. Ancient Egypt in the Metropolitan Museum Journal. Volumes 1-11 (1968-1976). Articles by Cyril Aldred, Henry G. Fischer, Herman de Meulenaere, Birgit Nolte, Edna R. Russmann. (N.Y.) : Metropolitan Museum of Art, (1983). Second Printing. Pp 201. Illustrated. 4to, red cloth. Vg-fine in dj (spine browned, ½ inch tear to front panel). 125.00

Price: 125.00 CDN
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37 ALEXANDER, Mary G. BERGHORN, Kathleen E., foreword Sybil Jacobson : Painting in the West
HMS Press, Toronto, 1985, ISBN:0919957145 
ALEXANDER, Mary G. Sybil Jacobson : Painting in the West. Foreword by Kathleen E. Berghorn. Toronto : HMS Press, (April 1985). First Printing. Pp (1),2-80. Illustrated. 8vo, illustrated white card covers, lettered in black. Canadian artist Sybil Jacobson was born in London, England, in 1881, moved to Saskatchewan in 1912, to Moose Jaw in 1932, to Winnipeg in 1934, and finally to Vancouver in 1936 where she died in 1953. Contents : Foreword; Introduction; 1. The The Early Years; 2. Rural Saskatchewan; 3. Moose Jaw; 4. Winnipeg; 5. British Columbia; 6. Sybil Jacobson's Last Years; Afterword. Smudge to back cover, inkstamp to inside front cover, else very good. 24.00

Price: 24.00 CDN
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38 ALFOLDY, Sandra. McGill-Queen's/Beaverbrook Canadian Foundation Studies in Art History Allied Arts : Architecture and Craft in Postwar Canada.
McGill-Queen's University Press, Montreal & Kingston, 2012, ISBN:9780773540033 
ALFOLDY, Sandra. The Allied Arts : Architecture and Craft in Postwar Canada. Montreal and Kingston: McGill-Queens University Press, (2012). Pp. (10),[xi]-xv,(9) of illustrations,[1]-227,(1). Illustrated, sometimes in colour. Large 8vo, illustrated blue and green card covers with white spine, yellow and white lettering to front cover, black lettering to spine, french flaps.A volume in the McGill-Queen's/Beaverbrook Canadian Foundation Studies in Art History series. "During periods of close collaboration, championed by figures like John Ruskin and William Morris, architecture and craft were referred to as 'the allied arts'. By the mid-twentieth century, however, it was more common for the two disciplines to be considered distinct professional fields, with architecture having little to do with studio craft. 'The Allied Arts' investigates the history of the complex relationship between craft and architecture by examining their intersection in Canadian public buildings. Sandra Alfoldy explains the challenges facing the development of public craft and documents the largely ignored public craft commissions of the post-war era. The book highlights theg global concerns of material, scale, form, ornament, and identity shared by architects and craftspeople. It alsostudies the ways in which the allied arts are mediated by institutions and the fragility of craft commissions that were once considered an integral p art of the built environment. Considering a wide range of craftspeople, materials, and forms -- from the ceramics of Jack Sures and Jordi Bonet to thetextile work of Mariette Rousseau-Vermette and Carole Sabiston -- Alfoldy celebrates the successes of architectural craftsmanship, developing ideas about the complex relationship between architecture and craft that reach well beyond national boundaries." - from the rear cover. Very good. 30.00

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39 ALLEN, Jan, Ihor HOLUBIZKY, and Caroline Seck LANGILL Machine Life : Lois Andison, Doug Back, Peter Flemming, Simone Jones and Lance Winn, Jeff Mann, David Rokeby, Norman White.
Agnes Etherington Art Centre / The Koffler Gallery, Kingston / Toronto, 2004, ISBN:088911918X 
ALLEN, Jan, Ihor HOLUBIZKY, and Caroline Seck LANGILL. Machine Life : Lois Andison, Doug Back, Peter Flemming, Simone Jones and Lance Winn, Jeff Mann,David Rokeby, Norman White. Kingston : Agnes Etherington Art Centre / Toro nto : The Koffler Gallery, (2004). Pp [1]-63,(1). Illustrated. 8vo, illustrated white card covers, French flaps. This publication is produced in conjunction with the exhibition Machine Life at Agnes Etherington Art Centre, February - 18 April 2004, and Norm's Robots at the Koffler Gallery, 13 May - 27 June 2004. “Machine Life explores artists' use of robotics through the work of Norman White and the circle of artists he has taught and influenced through the past quarter century. This project examines the aesthetics of interactivity and traces the strategies of the current generation of electronic artists by highlighting the remarkably fruitful set of working methods,attitudes, and ethical positions that constitute the core of Norman White' s legacy and influence. Works by White, Lois Andison, Doug Back, Peter Hemming, Simone Jones and Lance Winn, Jeff Mann, and David Rckeby stage the complex interface between human and machine-based systems.” - from the back cover. Warped, else very good. 20.00

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40 ALLEN, Richard. TURVEY, Malcolm. MICHELSON, Annette). Film Culture in Transition. Camera Obscura, Camera Lucida : Essays in Honor of Annette Michelson.
Amsterdam University Press, Amsterdam, 2003, ISBN:9053564942 
(MICHELSON, Annette). ALLEN, Richard and Malcolm TURVEY, eds. Camera Obscura, Camera Lucida : Essays in Honor of Annette Michelson. Edited by Richard Allen and Malcolm Turvey. [Preface by Rosalind Krauss]. Amsterdam: Amsterdam University Press, (2003). Pp. (4),5-294,(2). Illustrated in black and white. 8vo, illustrated grey card covers with orange, blue and green letteringto front cover, cream lettered brown title block to spine. A volume in the Film Culture in Transition series. "Annette Michelson's contribution to ar t and film criticism over the last three decades has been unparalleled. This volume honors Michelson's unique legacy with original essays by some of the many film scholars influenced by her work. Some continue her efforts to develop historical and theoretical frameworks for understanding modernist art, while others practice her form of interdisciplinary scholarship in relation to avant-garde and modernist film." - from the rear cover. Contents: Mikhaeil Iampolski's "The Logic of an Illusion: Notes on the Genealogy of Intellectual Cinema"; Allen S. Weiss's "Narcissistic Machines and Erotic Prostheses"; Tom Gunning's "Loie Fuller and the Art of Motion: Body, Light, Electricity and the Origins of Cinema"; Stuart Liebman's "Visitings of Awful Promise: The Cinema Seen from Etna"; Edward Dimendberg's 'Transfiguring the Urban Gray: Laszlo Moholy-Nagy's Film Scenario 'Dynamic of the Metropolis'"; Noel Carroll's "Eisenstein's Philosophy of Film"; Peter Wollen's "Knight's Moves"; Richard Allen's "Hitchcock and Narrative Suspense: Theory and Practice"; Noa Steimatsky's "From the Air: A Genealogy of Antonioni's Modernism"; William G. Simon's "Dr. Strangelove: or; the Apparatus of Nuclear Warfare"; Giuliana Bruno's "Collection and Recollection: On Film Itineraries andMuseum Walks"; and Babette Mangolte's "Afterward: A Matter of Time: Analog Versus Digital, the Perennial Question of Shifting Technology and Its Impl ications for an Experimental Filmmaker's Odyssey". Very good. 45.00

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