Parlar cantando : The Practice of Reciting Verses in Italy from 1300 to 1600.

By: ABRAMOV-Van RIJK, Elena

Price: $60.00

Quantity: 1 available


ABRAMOV-Van RIJK, Elena. Parlar cantando : The Practice of Reciting Verses in Italy from 1300 to 1600. Bern, &c : Peter Lang, (2009). First Edition. Pp (4),v-xviii,(2),1-395,(1). With a few illustrations in the text. 8vo, rust red illustrated paper-covered boards, black lettering to front cover & spine. "This book is a pioneering attempt to explore the fascinating and hardly known realm of reciting poetry in medieval and Renaissance Italy. The study of more than 50 treatises on both music and poetry, as well as other literary sources and documents from the period between 1300 and 1600, highlights above all the practice of parlar cantando ('speaking through singing' the term found in De li contrasti, a fourteenth-century treatise on poetry) as rooted in the art of reciting verses. Situating the practice of parlar cantando in the context of late medieval poetic delivery, the author sheds new light on the origin and history of late Renaissance opera style, which their inventors called stile recitativo, rappresentativo or, exactly, parlarcantando. The deepest roots of the Italian tradition of parlar cantando ar e thus revealed, and the cultural background of the birth of opera is reinterpreted and revisited from the much broader perspective of what appears tobe the most important Italian mode of music making between the age of Dant e and Petrarch and the beginning of Italian opera around 1600." - from the rear. Contents : Part I. Parlar Cantando - History, Practice and Theory. 1.Poetry Recitation in the Italian Trecento - 2. Different Types of Music fo r Delivering Poetry - 3. From rudium inordinatum concinium to Professional Poetry Meant To Be Sung - 4. Verse Reciting as Scholarly Discipline - 5. Scansio: One Aspect of the Relation between Music and Poetic Text in Sixteenth Century Theory - Part II. Traces of the Practice of Parlar Cantando in Trecento Written Music. 6. Verse Structure in the Musical Setting of SelectedTrecento Compositions - 7. Text Underlay in Manuscripts of Trecento Music - 8. Structure of Verse and musica contrafacta in the Trecento Music. Appendices : 1. The Poem Se la mia mente.frate mio, non falla by Gidino da Sommacampagna from his Treatise De li contrasti.; 2. The Sonnet by Niccolo de' Rossi Io vidi ombre; 3. Graphic Design of the Ballata and Sonus Forms, Constructed the Basis of the Description in the Capitulum; 4. Angelo Poliziano'sletter to Giovanni Pico della Mirandola; 5. A Full Inventory of the Pointe r's and Liner's Work in the Codex Panciatichi 26; 6. Inventory of Compositions with Double Underscoring of the Poetic Text in the Codex Squarcialupi. With bibliography, index of names, and index of terms. Very good. 60.00

Title: Parlar cantando : The Practice of Reciting Verses in Italy from 1300 to 1600.

Author Name: ABRAMOV-Van RIJK, Elena

Categories: 888,

Publisher: Peter Lang, Bern, &c , 2009, ISBN:9783039116706:

Seller ID: 115961

Keywords: ITALY ITALIAN MUSICAL HISTORY EUROPEAN MUSIC PERFORMANCE PERFORMING ARTS MEDIEVAL RENAISSANCE VOCAL LITERATURE LITERARY POETS POEMS,